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"At the theoretical maximum USB 2 bandwidth, you'd be able to record just over 40 tracks of 24-bit, 96kHz audio, while halving the sample rate to 48kHz would give you 80 tracks."
In reality you don't get that many channels glitch free over USB2, but you should at least get 16-24 channels at 48khz without any issue.
The problem I have with most USB2 mixers is they don't bring a world class level of sound quality.
Also, driver support isn't on par with the best of the best (RME, Focusrite Pro, UA)
Which ones are you looking at?
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If it's Type A (standard flat, rectangular shape) then it will probably be recording the stereo out.
If it is Type B (almost square) then you will probably be able to connect to a computer and record multiple tracks with a DAW.
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
I use a lot of A&H QU mixers for band work and installs. All you need to do with these is pop a USB pen key into the USB slot and hit record on the built in Q-Drive
By default the first 18 tracks are recorded separately in 48K 24 bit which you can then mix down later using the mixer or load the wavs into Reaper. I've literally recorded hundreds of gigs like this
I used to use a Zoom R16, which is a recorder that does up to 8 tracks straight to SD card, then you drag the files into your DAW. Either works perfectly.
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Primarily itll be a live desk but if it has a recording option then that would be good.
I've used the X32, the Studiolive 16:4:2, The Tascam DM4800 and a few others ... and while they can all record multitrack via an ASIO stream they need a laptop connected to do it. The built in QU drive on the A&H is just easier, less kit to carry and the desks also operate in HUI mode so you can use motorized automation in Reaper \ Logic \ Protools etc
Is it cheaper for a good reason I wonder?
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/