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And of course. ..
Derek Trucks on Midnight in Harlem, just the epitome of taste and soul
https://www.youtube.com/watch?v=C0hr2HWOohM
I'm not locked in here with you, you are locked in here with me.
Oteil Burbridge is an awesome player, delicate and bang on the money, a hard thing to do and still drive things along nicely.
Interestingly and despite the video, Peter Buck said he used a Les Paul and a Marshall rather than his usual Rickenbacker and AC30/Twin... but it also shows how much is the player because it still really sounds like a Rick.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Vintage style neck pickup (he uses Duncan ssl1), strat (body woods largely irrelevant in my experience for this tone), compressor for a but of attack and a clean amp.
It's a lovely sound, and pretty much anyone can achieve something pretty close really easily.
Thick, rounded rhythm at the start, then fuzzy goodness from about 0:45
Which are two of my favourite sounds from an electric guitar.
Silversun Pickups
Good shout You've got it bang on.
When I listen to his CDs I can so clearly hear the tonal difference between songs with the strat and those with the les paul - but also he seems to approach his guitaring differently ... he has mastered both
and then there is his acoustic tone
and his resonator tone
etc etc
His tone, phrasing and note choice are always superb - but even on something which is fairly obviously a guitar 'vehicle' like Sultans of Swing - he never lets it get in the way of the song. The guitar sort of 'punctuates' the lyrics, if that makes sense?
Players like that are always my favourite. For me, George Harrison, David Gilmour, Andy Summers and Mike Campbell fall into that category.
Concisely explained.
Great examples of others with that mastery.