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I think that’s quite a significant saving. Worth comparing them to both ends of the Gibson scale to see which it is closest too
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Of course there are differences in materials, craftsmanship and labour hours but Eastman have more work to do to justify their relatively higher prices as a result of the above.
If its spec sheet, compare them to Gibson’s. If it’s country of origin compare them to epiphones.
Or combine both and end up with a price somewhere in the middle, like Eastman did
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Try before buying: Gibson, Heritage, Yamaha Epiphone, Peerless & all the other MIC stuff
Ok to buy sight unseen: MIJ Tokai, Eastman
I've not tried these: Edwards, Greco
Unless you're a label snob. Which, if I'm honest and I know I'm not alone here, I am.
It shouldnt matter but I flip guitars for fun so that's always stopped me. Used examples are few and far between, probably because they are so good no doubt.
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Seriously: If you value it, take/fetch it yourself
I eventually bought a 98 ES335, but I didnt keep it more than a year, because I was preferring the feel of my Midtown, and quite honestly wasn't getting a great difference in sound - for live work the Midtown felt better.