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My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youI can't see the pic but assume this is a piece in fm, so you can solo in fm (which will seem like em if you have a cap and are noodling down at the nut end of the fretboard, and ignore the fretboard dots).
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
https://cl.ly/000N1f0P001q
...but I'm trying to throw in space for a solo and get something suitable in there, as well as some flavour over the top throughout the rest of the song. Just for more depth / interest. That might make my amateur ramblings make more sense?
(I also need to re record it because I screwed up the timing at the start of the third verse, I know!)
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youSupportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youSupportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youTry soloing on the g major scale with the capo on one that's g Sharp major.
Try moving the capo up and singing in various keys it sounds like fm is too low for you.
Oh and I like the song
https://open.spotify.com/track/4jaJjKNIUfkOVdbNZkmStA
I've done it in the original key because I don't normally sing, I have someone who *can* sing that's going to re record the vocals. I'm only good for Johnny Cash
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youStudio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youStudio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
soundcloud.com/thecolourbox-1
youtube.com/@TheColourboxMusic
What @Legionreturns could do is raise the 7th of the e minor scale, ie. he could play e melodic or harmonic minor scales, if that's what you're leading to in terms of avoiding a minor 7th, but I don't get your point about G major. Cheers
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
soundcloud.com/thecolourbox-1
youtube.com/@TheColourboxMusic
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youYou can play the major 7th over an Em based harmony, provided you don't resolve to that note.
Chromaticism is what lifts your playing out of the pedestrian.
You can pepper major 7th and b5 intervals into your playing whilst remaining essentially 'in key'.
It has to be done right though, transcribing blues and jazz solos and learning how others have done it successfully is always a more efficient way to do it than trying to run all the permutations.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com