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For now, I reckon I will stick with trying to figure Omnisphere 2 out, properly!!
often it's less about theory and more about listening in great detail..
Got a clear run at it today, did this.
very cool.. reminds me a little of Art Of Noise
this was so much fun
https://www.youtube.com/watch?v=t-Q0Va_bKmo&list=PLY_h0F1gsfIsCKCp0MSSsNT114Ywoaxdz
Remember, it's easier to criticise than create!
Remember, it's easier to criticise than create!
I really don't like you....;))
quality stuff pal
oh mate, you've done it now. An endless path of nonsense and mystery awaits. I have been farting around with this sort of stuff for 20 years, more, and I genuinely have little idea of how it all works. A guitar, amp and a few stomp boxes are so much easier to deal with!
@biglicks67 too right. Brown ones.
not only do I have Logic and all the keys in there, I have Native Instruments stuff, Omnisphere, Sylenth and many others..
DAAAAAAAAYYYYYYZZ later.. "haaa found it.."
in some ways.. orchestral stuff is easier.. I know what a cello section is, what it sounds like and what I need to load up... lol...
hmmm... but then.. there's making the orchestra sound realistic.. and so getting to understand the articulations..
a rabbit hole of a different kind...
this stuff is so much fun.. but can be so frustrating...
really makes me tip my hat to Jean Michel Jarre in the Oxygene / Equinox days and Vangelis in the Albedo 0.39 / Spiral days..
just loads of real synths, effects, tape machine and no MIDI or DAW
makes you realise the level of work, knowhow and vision required to create those masterpieces..
this one is experimental..
the objective was to see if I could make my vocal sound like a female soprano
so this was all about experimentation with audio processing
trippy as fk... lol... very cool though..