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Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
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Stupid question alert, but what does the resistor do (compared to just wiring a coil split the usual way)?
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
I suppose one advantage of "vintage" wiring is that if you knew you were going to put it in a guitar that you had no intention of fitting splits etc. to, it might save a little work when it came to soldering? That's about the only advantage I can think of though (aside from vintage accuracy/aesthetics), and it also has the obvious disadvantage that if you decide to move it to a different guitar that you would like to fit splits to you're in trouble... )
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Yay we have some UK maker consensus!
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
The Screamin' Demon replaced a JB I had in there before and , whereas I much prefer the sound of the Demon over the JB in humbucking mode, the coil split sound was a little weak (the JB was better when split - not surprising as the JB is 16.4k and the Demon is 10k).
I used the resistor to ground method - I soldered a couple of thin wires that I could run out from under the scratchplate when the guitar was reassembled and then experimented with a few resistors attached with crocodile clips. I started with the PRS values mentioned above (2.2k for bridge) and then tried a few other values around that, settling on 1.8k as my preference.
I've now permanently soldered in that 1.8k resistor and the split sound is subtly warmer and fuller. Well worth experimenting with if (like me) you haven't tried this before.
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