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https://www.petersontuners.com/beyond/?p=1163
You can do it really accurately by ear too if you want to - tune the E/B, G/D and A/E pairs perfectly in fourths using 5th/7th-fret harmonics, then use each string as a reference for the other by comparing the 12th-fret harmonic on the higher string against the 17th-fret note on the lower, and the 19th-fret harmonic on the lower string against the 14th-fret note on the higher. (This works because the error caused by tuning in perfect fourths rather than equal temperament are the same for both strings, so they cancel out.)
Essentially a strobe tuner is just doing a similar thing, by comparing the string against a reference tone and using the beat frequency to determine how far out it is.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Knowing that the TU-2 isn't accurate enough comes from reading the spec sheet (+/- 3 cents, whereas most other tuners are +/- 1 cent) and seeing what would happen if I tried to use one to set up a guitar. I set up a lot of guitars, so I'm always looking for short-cuts. It was close, but not quite dead on.
I actually came up with the harmonics method myself - or at least, independently . I don't often claim this sort of thing but it's actually true - because I use a lot of odd chord voicings played high up on the neck along with open strings, I realised that the important thing is that the guitar plays perfectly in tune with itself, because then if the open strings are correct then everything else will be. So logically there's no need to use anything other than itself to set the intonation… then it was just a case of picking the right harmonics to use.
To be fair, it was only afterwards that I realised why it doesn't introduce the error of tuning in perfect fourths.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
@ICBM - as ever, great knowledge
@Ourmaninthenorth - thats a very kind offer, Ill PM thee
So what tuner do you actually use @ICBM ? I'd love to see how you stretch the strings first, I tend to break them far too often for my liking
Any additional tips for tuning guitars with Floyds?
I stretch strings by pulling up roughly in the middle - I can't remember the last time I broke one, presumably I just got the 'feel' for it. I always do it *as* I wind the string onto the post, as well as a bit afterwards - you're not actually "stretching" the string, they don't unless you reach the elastic limit which is when they break! What you're doing is tightly forming it to the post and the bridge saddle etc. You definitely don't need to pull it up at various points along the length as some people seem to do - it makes no difference.
Floyds are a bit of a pain because the bridge movement range is so big, but at least once the strings are stretched and clamped, they don't move.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein