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However, It's a 100w fire breathing Marshall and you're going to struggle getting to drive channel sounding great at bedroom levels. You can crank the gain but, like most tube amps, you need the power section working as well as the speakers moving some serious air to get the best from it. If it's bedroom only at the moment then the right flavour of pedal would probably get you a (I hesitate to say...) 'better' drive tone.
I have a DSL50 - the clean channel with the crunch/boost button engaged with a Bad Monkey or TS type OD (Or an SD-1) in front is a superb sound.
teh rules.
#1 Marshall valve amps ALWAYS sound a lot betterer at gig + volumes. Bedroom levels won't do it - not even close to showing the amps true sonic capabilities.
#2. See rule #1
#3. See rule #1
I quilte like the drive channel anyway - but still use it with an OD in front....makes it even betterer. Use less gain that you think - espesh with an OD pushing it. But it still needs to be loud to shine. It can be harsh if you don't tame the top end - so watch with the treble and presence controls.
As well a Moore there's loads of other famous players used the DSL - Beck and Sambora being 2 others off the top of my head.
Cranking all the eq knobs and work backwards until you like what you hear is also fun
I'm guessing you're new here? Prepare yourself, not a lot of fans of that amp here But there are some, like me
I'm half considering rehousing the chassis so I can use it with bigger cabs!
Red channel Lead 1
Volume 5.5
Gain 6.5
Green channel Clean
Volume 7
Gain 4
EQ
Bass 6
Mids 7
Treble 4.5/5 depending on what mood the amp was in.
Tone shift and deep switch were out/off
No reverb
Around 5.5 on the volume got the amp cooking!
If you're using the amp clean, then something with more gain would be needed and there are a few depending on budget. Suhr Riot, Wampler Plextortion, Marvel Drive, Catalinbread DLS, SL Drive, Plexitone, Angry Charlie, Mad Professor Mighty Red (to name literally a handful of the top of my head from dozens available) do various Marshall flavours from low to higher gain very well but are a bit pricy new.
The MI Crunch Box, Boss ST-2, Marshall Guvnor (the silver re-issue) or Tone City Model M are more pocket friendly but still great pedals that will get you in the right postcode.
It's a pretty well catered area of the market and youtube would give you a good idea of roughly what to expect from any of them.
You'd genuinely struggle to go too far wrong with many modern pedals unless you've got a really specific tone in your head that you're seeking. It's something many are guilty of - saying a pedal is crap because it doesn't hit their 'vision' or isn't voiced like they expect.
Ignoring e reliability issues, I loved my DSL100.
It really needed to be 4/10 or above to start sounding right for gain.
definitely agree that a TS / mid hump style pedal is amazing for the tone.
I'll always sing the praises of the EQD palisades as a tunable TS pedal!
Now I play in heavier bands (drop b) I found it lacked a bit of saturation and modern gain so I sold it and got a Peavey 6505+ which does the trick. I do miss the JCM2000 though, the crunch channel was very nice and I wish I kept it so I could A/B the Marshall's green with the crunch button pushed in with a bit of gain as breakup for my "clean" and the red channel on 6505+ for my "dirty" sound.