It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I have a couple of students that have them on some of their guitars...
my personal option is that [aside from metal riffing] they really suck..
for the following reasons that are entirely my personal opinion..
- they seem very unresponsive, sterile and a bit compressed
- the tone is quite uniform / one dimensional no matter where along the string or how strongly you pick the string
- for clean tones I'm really not a fan at all
- for soloing they can be quite shrill and thin
- when the battery fades, their nasty tone gets worse
personally I prefer moderate hot passive pups for the ways they oppose the reasons above..
especially the tonal non-uniformity and responsiveness, because it's something I like to exploit..
it's a bit like having a tone control driven by your picking hand's technique
however....
if you're a hard core metal riffer and do pretty much nothing else and you want that tonal uniformity, they're perfect
horses fa courses etc...
I had always kind of half-assumed they'd actually be active in the way a condenser mic is rather than just having a preamp.
Surprised they would be compressed - with passive pickups it tends to be the hotter the pickup the more compressed they are so would think that very low output pickups would be less so
A lot of the other options I tried in that guitar were rather "plinky" - possibly due to the carbon/glass wrapped neck and steel frets.
1. The internal ceiling of the pickup, ie how loud a signal can the preamp take cleanly before clipping. This varies pickup to pickup and is most often a problem with humbuckers.
2. The proximity of the pickup to the string, closer delivering a louder signal that may get closer to the clipping point
3. The battery - as noted you can run some active pickups at higher voltages and this will increase headroom (and through this change dynamic response and potentially tone). If the battery is running low headroom will be reduced.
4. Guitar setup and playing style - thick strings and heavier playing both create a louder signal which in turn could be closer or go beyond the clipping point.
Personally I love active pickups in guitars. But one of the main reasons is they have very clear sounding treble (which I think is why some people hear them as sterile).
I find the typical rich harmonics you get from most passives often translates to hazy fizz on the plain strings under higher distortion, and I always struggle to get a sound with tight low strings and clear yet not shrill plain strings that have more body than they have fizz if you’re picking notes in a chord. I tune low which compounds this issue by making it harder to get the bottom end tight.
I find my guitars sound better balanced across all the strings with actives. The only passive humbuckers I tend to like are A2 PAFs which again don’t have so much of that higher treble fizz (as compared to a hotter ceramic typically).
A condensor mic works by using acoustic pressure to move the 2 plates of a capacitor, which changes the value of capacitance which is then converted to a change in voltage so No, active pickups don't work in the same way
It's the filtering done in the active portion of the pickup that is more so responsible for compression than internal clipping.
That being said, I don't think they're nearly as compressed as people make out - I think them playing actives after being a passive user and them reacting differently to dynamics gives the perception of more compression than is really there.