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The door thing works ok, but I vary mine by laying it face down on a cushion either partially or completely.
Strangely, even using it sitting on its long side with the catch on the top sounds less brittle than using it upright with the handle on top. It can only be floor reflections and the speaker's proximity to it, but it's quite pronounced.
It undeniably sounds sort of rubbish whatever you do, until you're playing along with whatever song you're working on, and it just seems to sit in a mix perfectly.
It also responds more naturally to player dynamics than anything else I've owned that wasn't a good valve amp.
It's one of those quirky bits of kit that constantly makes you think "so that's how they did it!" Rather like when you start using a Varitone.
Came up up on my YouTube feed and reminded me of this. Possibly in the category ‘don’t try this at home.’
It doesn't mean they will necessarily sound the same of course - changes in just one or two circuit values can make a huge difference to the tone - but it makes me wonder if they have a common ancestor... and what it might be.
It also means that if you wanted to build a Deacy copy, starting with a (preferably dead, no point in using a good one since almost every part other than the two transformers will need to be replaced) Pignose might be a simple way to do it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein