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If the one you have ready fits what finger you use then they’re not going to make you Derek Trucks over night. They add a tad more comfort and don’t wiggle around on your finger as much.
Worth it if you play slide loads but not if you dabble IMO.
The other important thing is to decide in which tuning(s) you want to play. Some things come easily in (D)GDGBD. Others demand EBEG#BE (or DADF#AD). e.g. Duane Allman. Other interesting tunings are available.
Some clever bastards manage to pull off slide licks in standard tuning that sound like open tunings.
I see a direct parallel between slide guitar and fretless bass guitar. It helps to ignore visual clues (i.e. frets) and concentrate on aural ones. It takes enormous skill to hit the exact note position first time, every time. Instead, make a point of arriving at the correct pitch by glissandi. When you reach pitch, lay on some vibrato by shaking the slide.
Mainly, practice a lot.
Just to disprove my own assertion, Led Zeppelin's version of When The Levee Breaks is EACFAC.
Then in the course of teaching (introducing) students to slide I handed out Sainsbury's spices/condiments jars and although you need 2 fingers to grip them they make the best glass sound ever! Be ready to sound like George Harrison!
Me I've given up as many times as I've started to learn slide. I like the idea but seem to lack the talent.
I have a brass Rockslide which I find works better for acoustic.
Edit: heavy strings work well, but I get away with 10's
The slide bit is around 27mins in, but it’s Greg Koch- the whole thing is entertaining.
https://youtu.be/K-Tij3cRceU
The important thing about standard tuning slide is to use the fingers of the picking hand to mute the strings that are not required to sound, i.e. the discordant notes. Again, it's just practice.