what do Daphne blue and Sonic blue actually look like?

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  • NeilNeil Frets: 3628
    chrisv said:
    Daphne is to Sonic what Sea Foam is to Surf...
    Good description Chris.

    I would add that although sonic is indeed lighter than Daphne it also has a tinge of grey that is missing from Daphne.
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  • Neil said:
    chrisv said:
    Daphne is to Sonic what Sea Foam is to Surf...
    Good description Chris.

    I would add that although sonic is indeed lighter than Daphne it also has a tinge of grey that is missing from Daphne.
    Yeah, Sonic Blue is almost lavender-ish, as in the photo I shared earlier. The Fender and Cadillac charts above show it very well.
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  • richardhomerrichardhomer Frets: 24831
    Here’s a lovely example of Sonic Blue:

    http://www.thefretboard.co.uk/discussion/134896/fs-1962-sonic-blue-fender-jaguar#latest

    Note the greenish tint to the headstock.
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  • As undoubtedly beautiful as that is, it's also extremely faded!
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  • HAL9000HAL9000 Frets: 9687
    miserneil said:
    I have tended to referene Curtis Novak’s article for vintage colours

    http://http//curtisnovak.com/restorations/FenderColors/index.shtml
    Yes, wis awarded, this is an excellent reference for Fender colours.
    have you noticed how many Fiat 500's look like the Fender colour schemes
    Strangely, I noticed that just recently. There are certainly Fiat 500 colours that look suspiciously like Fiesta Red, Surf Green, and Olympic White..
    I play guitar because I enjoy it rather than because I’m any good at it
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  • axisusaxisus Frets: 28339
    Here’s a lovely example of Sonic Blue:

    http://www.thefretboard.co.uk/discussion/134896/fs-1962-sonic-blue-fender-jaguar#latest

    Note the greenish tint to the headstock.
    That looks white!?!? Lovely guitar but not exactly helping to define the colour!
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  • DiscoStuDiscoStu Frets: 5521
    edited August 2018
    Kiguitars4you said:
    miserneil said:
    I have tended to referene Curtis Novak’s article for vintage colours

    http://http//curtisnovak.com/restorations/FenderColors/index.shtml
    Yes, wis awarded, this is an excellent reference for Fender colours.
    have you noticed how many Fiat 500's look like the Fender colour schemes

    Yeah I noticed that a few years ago before I ordered the Sonic Blue nitro from Steve. My mate works at a Fiat dealership but it was such a new colour that he couldn't get any for me. It's called Cha Cha Azure.
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  • guitars4youguitars4you Frets: 14303
    tFB Trader
    HAL9000 said:
    miserneil said:
    I have tended to referene Curtis Novak’s article for vintage colours

    http://http//curtisnovak.com/restorations/FenderColors/index.shtml
    Yes, wis awarded, this is an excellent reference for Fender colours.
    have you noticed how many Fiat 500's look like the Fender colour schemes
    Strangely, I noticed that just recently. There are certainly Fiat 500 colours that look suspiciously like Fiesta Red, Surf Green, and Olympic White..
    yes those 3 plus dakota red
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  • For those that missed it above, here's the original Dupont colour chart showing Sonic Blue clearly:

      
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  • WezVWezV Frets: 16731
    edited August 2018

    Sorry to be negative, but how much does it really matter?

    Whether finishing a new or vintage the answer is the same. They vary too much to use the name of the colour as a reference.

    You can follow original mixing charts, but paint formulations don't necessarily match (they didn't at the time) and colours will still vary a bit. 

    Show me an example of the colour/finish you actually want - don't give me a colour name.

    Worth a read  - because its the whole process that affects the colour

    http://guitarhq.com/fenderc.html

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  • BridgehouseBridgehouse Frets: 24581
    I do agree with @WezV - imagine trying to pin down exactly what “sunburst” was - there’s been thousands of variations over the years. 

    For the fender blues the fading and primer means there’s so many differences out there... 

    What colour is Pelham Blue?
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  • axisusaxisus Frets: 28339
    WezV said:

    Sorry to be negative, but how much does it really matter?

    Whether finishing a new or vintage the answer is the same. They vary too much to use the name of the colour as a reference.

    You can follow original mixing charts, but paint formulations don't necessarily match (they didn't at the time) and colours will still vary a bit. 

    Show me an example of the colour/finish you actually want - don't give me a colour name.

    Worth a read  - because its the whole process that affects the colour

    http://guitarhq.com/fenderc.html

    I get your point but I'm just trying to decide which rattle can to buy!
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  • BridgehouseBridgehouse Frets: 24581
    axisus said:
    WezV said:

    Sorry to be negative, but how much does it really matter?

    Whether finishing a new or vintage the answer is the same. They vary too much to use the name of the colour as a reference.

    You can follow original mixing charts, but paint formulations don't necessarily match (they didn't at the time) and colours will still vary a bit. 

    Show me an example of the colour/finish you actually want - don't give me a colour name.

    Worth a read  - because its the whole process that affects the colour

    http://guitarhq.com/fenderc.html

    I get your point but I'm just trying to decide which rattle can to buy!
    Daphne Blue. 
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  • meltedbuzzboxmeltedbuzzbox Frets: 10339


    What colour is Pelham Blue?
    Green

    :-P
    The Bigsby was the first successful design of what is now called a whammy bar or tremolo arm, although vibrato is the technically correct term for the musical effect it produces. In standard usage, tremolo is a rapid fluctuation of the volume of a note, while vibrato is a fluctuation in pitch. The origin of this nonstandard usage of the term by electric guitarists is attributed to Leo Fender, who also used the term “vibrato” to refer to what is really a tremolo effect.
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  • guitars4youguitars4you Frets: 14303
    tFB Trader
    WezV said:

    Sorry to be negative, but how much does it really matter?

    Whether finishing a new or vintage the answer is the same. They vary too much to use the name of the colour as a reference.

    You can follow original mixing charts, but paint formulations don't necessarily match (they didn't at the time) and colours will still vary a bit. 

    Show me an example of the colour/finish you actually want - don't give me a colour name.

    Worth a read  - because its the whole process that affects the colour

    http://guitarhq.com/fenderc.html

    I've read that article many times Wez and very good reading - add to this years of use, faded, tobacco stain from such venues etc and subtle variations are applicable on many colours
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  • DiscoStuDiscoStu Frets: 5521
    The ageing process clearly plays a part in what you perceive as the 'correct' colour. For me, when asked to respray my mate's guitar in Sonic Blue it was a problem choosing a supplier as the options ranged from near white, thru different blues to nearly green.
    I asked my mate for some googled pics of what he wanted and they were mostly like the original DuPont colours I found and posted above. Manchester Guitar Tech had the nearest colour to this and handily his colour sample on his site shows the paint with and without a clear top coat. I went with the no top coat option and the final colour was spot on.
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  • WezVWezV Frets: 16731
    axisus said:
    WezV said:

    Sorry to be negative, but how much does it really matter?

    Whether finishing a new or vintage the answer is the same. They vary too much to use the name of the colour as a reference.

    You can follow original mixing charts, but paint formulations don't necessarily match (they didn't at the time) and colours will still vary a bit. 

    Show me an example of the colour/finish you actually want - don't give me a colour name.

    Worth a read  - because its the whole process that affects the colour

    http://guitarhq.com/fenderc.html

    I get your point but I'm just trying to decide which rattle can to buy!
    Then you need to base your decision on the colour samples offered by the manufacturer of those cans... not the colour name 
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  • thegummythegummy Frets: 4389
    miserneil said:
    I have tended to referene Curtis Novak’s article for vintage colours

    http://http//curtisnovak.com/restorations/FenderColors/index.shtml
    Yes, wis awarded, this is an excellent reference for Fender colours.
    have you noticed how many Fiat 500's look like the Fender colour schemes
    Yes! I point this out all the time!

    Daphne Blue is very much one of them
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  • axisusaxisus Frets: 28339
    WezV said:
    axisus said:
    WezV said:

    Sorry to be negative, but how much does it really matter?

    Whether finishing a new or vintage the answer is the same. They vary too much to use the name of the colour as a reference.

    You can follow original mixing charts, but paint formulations don't necessarily match (they didn't at the time) and colours will still vary a bit. 

    Show me an example of the colour/finish you actually want - don't give me a colour name.

    Worth a read  - because its the whole process that affects the colour

    http://guitarhq.com/fenderc.html

    I get your point but I'm just trying to decide which rattle can to buy!
    Then you need to base your decision on the colour samples offered by the manufacturer of those cans... not the colour name 
    Which is a point that I cannot argue with ...
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  • SteveRobinsonSteveRobinson Frets: 7039
    tFB Trader
    axisus said:

    I get your point but I'm just trying to decide which rattle can to buy!
    If you like, I can spray some samples?
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