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Yes its not easy..
Im in a position I can do it, or I was (that may change soon) and I really want to do the best by people and make guitars people want and will love... Im pretty sure most of us small guys aren't in it for the money (anyone who has actually tried it will know that), only for the love of wood, guitars and music.. I know that's why I do it.
I have watched Ben at Crimson for a while.. Watched him go from a guy in the back shed to a well established company.. He has done it through Youtube and by offering courses and selling tools and supplies etc.. Which I think if you actually want to make big money is the way to do it... I doubt id be capable of running a business like that and don't really want too.
http://www.rabswoodguitars.co.uk/
https://www.facebook.com/RabsWoodGuitars/
My Youtube page
My view is that pretty much every ‘amazing’ electric guitar is a happy accident. Sure a build by one of the high end companies/builders (not high volume) has a much greater chance of falling into the ‘great’ category but the amazing ones are a greater function of luck than judgement.
There’s a big difference between custom and customised.. I have no problem with a standard (proven) design being tweaked to your reasonable requirements but I’d run a mile from the ‘I want you to build me this’ type of commission. Too much chance of acquiring a turd and too much of a resale hit if it turns out to be said turd!
Si
Then with the likes of Knaggs, Huber & Collings - even Patrick Eggle/JJ/Framus - there’s plenty of scope for getting a variation on what I know I like as the core sounds & spec’s.
The only other way ‘custom’ could go in my view is the totally outlandish stuff or something like Billy Gibbons designs or even Phil X’s metallic go faster stripe framus SG.
Loads of choice already. Can’t see what I’d be selecting beyond that. Maybe it’s my imagination but we’re luck to have so many high quality options.
https://youtu.be/Ya-6QguFmRo
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Im not sure why people believe that a small luthier can do everything and that’s ok, but in a massive firm, they couldn’t possibly do that?
I know how long it takes me to make something and it's certainly not going to sustain a custom shop wage and make a decent profit for fender, they're a big business at the end of the day
Just doing a proper nitro paint job is best part of a month, that's waiting a couple of weeks to cure
There's a guy on Instagram jay nelson, he's a fender custom shop painter
(formerly customkits)
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
It’s part skilled builders (incl their qc) & part materials / spec which is sufficient to justify the premium - to those who can afford it.
As we know, the Mexico & standard lines, as well as some of the Asian made stuff, do put out some great guitars so it’s just a case of Fender offering a ‘premium’ line vs those that’s all. Same principle as in many other industries. They’re just giving the market what it wants.
So that means, for me and my meagre talents anyway, that I wouldn't be wanting to spec out my own guitar for fear that, however much I specced to out it to my taste, ultimately there would be no way of knowing until too late (i.e. once it was finished and in my hands) whether I was going to like it.
Those custom guitars were fantastic (Suhrs) but over the years my tastes changed, and I simply began to prefer the tones produced by mahogany/maple guitars. I had a discount on the guitars so didn't lose huge amounts of money on resale, but I still lost plenty. But resale value would not be my only caveat - the other would be that your tastes are likely to change over the years so what's perfect for you now, might not be in a few years time.
With that said, if you can afford it then I would keep the custom builds and wait for the next cycle of change!
Again, I can only repeat what Fender said and that is that they hand male and hand sand the lot, do their own fretwork, setup etc.
If you’d like to call them liars, that’s between you and their legal department. Personally, I find it incredible that someone believes a little builder in the uk can claim to build every single part of the guitar by hand, yet when Fender claim the same it’s rubbish. I’m also aware of so called custom builders doing nothing more than assembling parts they’ve got from elsewhere (often all parts) and charging a fortune for it
Ask Fender about numbers. All I know is there aren’t many around. Peach might get 2-3 Dale Wilson’s a year. Of course, they will have the facilities to make more than 1 guitar at a time! They were quite open that it takes at least a month for the nitro to cure but they’ll be working on other guitars while the nitro is curing. That’s not rocket science.
If you search tinterweb, Mike Eldred has made comments on forums and was clear that bodies and necks were shaped by hand by the masterbuilder who did his own paintwork, fretwork etc etc.
I realise you have a business to run which is in competition with Fender and you need your product in some way to be “superior” to compete, but I don’t think it’s a huge stretch to suggest that a 5-7k bolt on guitar could be handmade by Fender.
i don't have a massive factory and a company that's 300 mil in debt, I'm not sure what market share they have but they've got to keep pumping them out just to stay afloat
Why isn't that guy called a fender luthier ratger than masterbuiler, that is after all the term used for someone who makes guitars, the term is stupid imo
In fact I'm not that mad on fender tbh, i like elements of certain guitars and prefer to mix and match, things like a dc junior with a tele bridge and strat neck pickup appeal to me and
I'm also predominantly a set neck builder, not because i think it's superior, i just hate screws and bolts on the back of a guitar, although i do prefer the tone of set necks but that's my preference, I've made a set neck tele and strat so i can compare, it's not speculation
That's about enough for me, I've said my bit and people will buy what they want it's there money
(formerly customkits)
I wish you all the best with your business. I always like to buy British where possible but I do have a problem where competitors (you are like it not as you both build electric guitars and us punters will make a choice where to spend our money) spread baseless made up “facts” to justify their product against someone else’s. If you can come up with some hard evidence to show that Fender’s claims about Masterbuilt guitars are untrue, I’ll happily retract every word I’ve written as Fender won’t have been honest with me or the general public.
For instance... For years I'd always played Teles. I liked the simplicity and workmanlike functionality of them. Lots of my favourite players used them, and they did the job. Never really considered anything else. Didn't want anything with a whammy bar as I knew I'd never use it and it just seemed like an unnecessary complications. In fact I lusted after an Esquire essentially because it's an even simpler beast than a Tele.
Then one day, on a whim, I bought a Strat. More versatile, more comfortable, and currently my go to.
I also, more recently, converted a Tele to an Esquire-alike only to find I didn't really enjoy playing it much at all.
So, if I'd been spec'ing my 'ideal' guitar back in my pre-Strat days it would have been a simple T-type of some description - and it would have been so wrong, and I'd probably be a couple of grand worse off. As others have already said, buying something off the shelf at least gets you something that you can try before parting with your hard-earned, and that hopefully can be moved on without too much of a hit.