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I played in a covers band for years and used an American Standard Strat for all of it - no one cared that I played sweet child o mine on a Strat.
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But you still can't cover the ground you need to with a single signature sound.
Obviously it starts with the player, but how you achieve that versatility in different situations requires knowledge, taste AND equipment.
You do often need a bazillion different settings as a sideman, but whether that's built into the guitar or your pedalboard or your amp collection is up to you.
I thought the point of this thread was to discuss the guitar people feel can cover the most ground. Your argument was that people shouldn't worry about it and just find one that works for you i.e. find 'your sound'.
My counter point is that what 'my sound' might be isn't necessarily what the gig requires. If I'm doing a dep slot with a wedding band then turn up with an 8 string, a Diezel amp and a couple of 4x12s I don't think it'll go down too well.... even if I explain 'hey man, it's just MY sound'.
Unless you think finding 'your sound' comes solely from the guitar and that alone?
I will be buried with it. The best Rick' I have played and most others agree
To some degree, you can play almost anything on almost any guitar---so for those of us playing for the pleasure of our pets and relatives at home, just use whatever you want. For most of us, we just aren't genuinely going to be playing Slipknot as often as we play the Shadows so pick whatever gear works for what you do most and it'll be perfectly sufficient for 99% of everything else anyway.
For the professional covers band and dep artists---'aint no way you're pretending you're doing those gigs with only a single guitar. If you're gigging in a professional band without a second guitar you have far bigger worries than whether you're using a single coil or a humbucker for that riff. Two guitars covers 99% of your bases musically and gives you a backup. Plus, there's only so much versatility which is actually realistic...the number of professional giggers who realistically have to sound like John Mayer one gig and Kerry King the next can probably be counted on the fingers of one hand!
For the uber-professional guitarists, lets face it you're playing whatever the musical director and the stylist agree between them is most appropriate for the gig.