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Onthe other side of the coin, I played with a guitarist who, over the course of 18 months, duplicated my entire rig, which was very flattering but made the guitars sound like one BIG guitar instead of two separate guitars and the parts became less defined. An extreme example but something to be aware of too. The guitar sounds need to be different but complimenting each other....as you know.
(formerly miserneil)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I've always somehow ended up being the person in the band responsible for the sound etc., so it would actually be quite nice to have someone else chip in with their thoughts. Of course, you might be slightly annoyed, but it's all about how it's delivered.
good luck - had issue with one lineups drummer whose cymbal ring / wash made certain frequencies muddy n a mess - wouldnt listen until sound engineer at a private gig put tape n masses of blue tack on his ride / crash ride n the penny dropped ...
"It might be me, but I am really struggling to hear what you are doing with all that...gain/bass/whatever"
Its a suggestion, no more. Something to try out. If he has any sense he will take it onboard.
You could try and meet just the two of you for an hour or two and run through some settings.
Also, be willing to modify your sound slightly in order that the both of you may work together.
Sounds like a good band and worth pursuing.
If you don't want the head-on situation and you are the new boy.
I would play love this band reckon if we got together and really nailed the guitar parts and work them through together this could be one of the best bands around get ourselves in sync get to know each other.When are you free let's get together and really nail this? I would then play with a sound very much like him and simply say after we had worked through a few numbers say let's try it if I adjust my sound now you adjust yours so we really balance.
Diplomacy at its finest gets him to hear the benefit. Long-winded but the whole sound may just benefit without him now feeling you are the new boy remember he already feels threatened.
Oh yeah, shag his wife its rock and roll after all. LOL
Most bands could use a knob for boosting the minds, to be fair!
Flip it on it's head a little. Tell him you're struggling to hear him in the mix and it's making it difficult for you - make out like its your problem but ask him if he could help by cutting the bass and gain and boosting the mids (or whatever you feel would help his tone). Apologise for being awkward but you're struggling to hear everything clearly and keep up (you are new...)... you must have bad hearing or something. He'll dutifully oblige, play a couple of songs and wait for someone (usually the drummer) to say 'wow everything was so clear and sounded great, can we keep that sound?'. Job done. Done it loads of times. The gain is always the hardest to get them to cut as its their safety blanket.