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Hard to explain the issues, as not one specific problem/answer to the related issues of concern - I'm spoilt selling so many nice guitars and no matter if you like a PRS or not, they are engineered and built to perfection, so very little, if any problems arise - The Hayman is just about okay on open chords and simple one's at that - Step out of this and the intonation/tuning is out - I don't know by how much it is out, as I've not measured it, but 1% or 10% and it makes no difference to me as out is out - Barre chords, Chuck Berry style rhythm, open chords are all out and not one string but most/all - Play say an open E Low string, against the appropriate notes of an E chord further up the fingerboard (classical arpeggio style) and it is totally unusable - Just badly built from day one
Can't move the bridge as the string holes on the rear of the body won't then line up
In many ways I wish I'd played it more before sending it off - But it was so bad that it couldn't be worse - It plays okay regarding the feel of the neck and re-fret, but just unusable regarding the tuning - I've noticed this before on various other cool guitars from the 50's and 60's - As it happens, many Far Eastern built replicas are better built, with less issues than many of the originals ever were, ie Italia and Supro
Basically it is good for a video or album cover, but bugger all else - The more fussy you are as a player the more you'll not accept it
I was going to upgrade the pots - Following a tip of from another FB member about the value to use - The original ones work, but a bit scratchy (as you'd maybe expect for the age) but I don't want to spend any more time/money on it
I'm not going to waste my time listing it on my web site, for a potential mail order deal, only to have to refund 14 days later via LDSR as it won't be acceptable to many - So waste of time for all, + additional costs incurred at my end
I'm glad I can be honest about it as many won't be
Don't know what else to say, but with respect I don't want to spend any more time on it - If builders built new guitars like this today they would be hung drawn and 1/4'd on forums etc etc
So bottom line is a 'project' that has gone wrong - Pity has it has character - I'll probably leave it for now as it still looks cool - I'll probably take it to a couple of shows as it still looks cool on the stand, so hence a talking point - But I don't expect to sell it and certainly don't expect to make any profit, now or in the future - Not worth me spending any more time on it and don't have time for it to be a labour of love project - So there goes
I have a soft spot for Aaron Kaufman - A talented mechanic that some might know via Fast n Loud - I admire his ability and knowledge, so had this in mind when I acquired this guitar, or indeed other similar projects - But costs and potential selling price are a factor to take into account ref this project - Also such hardware is totally bespoke to such a guitar, so no 'upgraded' replacements available to improve the situation - Could I try and replace the bridge assembly with say a Tele bridge ? Maybe, but it would not look right and would destroy the guitars integrity - Maybe a good engineer can strip down the bridge and rebuild, but well beyond my ability and costs would not make it worth it at my end
Oh well
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Ill pm you later. But if you are giving up, I’d be more than keen on taking it over.
Frustrating
Long story short, I had one of these (same finish, humbuckers but the headstock insert had popped out) when I was 12ish and traded it against a pink sparkle Epiphone at Carlsbro/Academy of sound in Leicester, I’m now 35 and the decision still haunts me. So I’m gutted this guitar is a dog, had my heart set on getting one again. Never mind eh?
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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
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Sadly, I am financially embarrassed so I have to bow out of a deal.
Im a huge fan of all Shergold made guitars and am sure the issues can be solved .
Thought about moving the neck 1 or 2 mm away from the neck pick-up but worried about a gap - Would need to plug, then re-drill existing holes on body/neck
So will have another look tomorrow
Don't really want to change the bridge assembly as will take away some of the guitars integrity/character - I know it is not a true vintage Axe, but still want to retain its integrity
To be honest I've not looked at different bridge options and see it as a last resort
Will update further guys
Thanks for comments
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
https://www.shergold.co.uk/hwbridges.html
I have seen one fitted wrongly in the in the past which means the individual saddle ‘hinges’ were back to front giving insufficient adjustment
Yup. I've found the same thing with Hayman guitars in the past - variable QC to say the least!
I too have been fancying another recently.
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
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