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What do y'all recommend for a capable system? Budget not going to stretch to massive heights...
Pound for pound, zooming/focus pulling is never as smooth as a dedicated video camera, low light performance is rarely as good, the range of auto video oriented settings is rarely as good, sound inputs never as good, no built in nd filters etc.
I've been using Sony Pro video cameras for years. I have since gone over to DSLR's and regretted it. DSLR's are still majorly stills cameras and you need a lot of outboard gear to bring them up to spec.
With reference to the editing software, I have always used Sony Vegas but there is a lite version which retails at £79 and will do absolutely everything you want including text and object track motion. Unless you are going to professional broadcast, this will be fine.
My advice is a used HDD camera.
https://www.nchsoftware.com/videopad/index.html
you can trial it and its under £40 for the best version. seems very dimilar to adobe premier elements
The level of video that I need to do will literally be staring at the product and putting a voice over and subtitles.. not exactly Spielberg stuff..
Also fwiw... I did give my boss a warning that I'm not a professional video chap and don't expect miracles..
Though if budget would allow i would love a C100 or 300, I'm going away from Canon and probably to a Panasonic GH5 as it's much more suited for video work than others in its price range in my opinion - better data rates and 10bit recording, IBIS, flat profiles with built in lut preview etc. I always use an external audio recorder so the lack of XLR inputs doesn't matter to me.
That said I used to use an FS7 for work and bloody loved it. Don't like Sony menu systems though, just so fiddly and that's what's putting me off an A7 series.
I watched the first part of the colour grading one last night and found it brilliant. I'm new to grading and learned tons in the first 45mins.
I stand corrected. despite having been a keen user of hitfilm for the past 3 years Ive compared it to da vinci resolve now and da vinci resolve blazes through exports blowing hitfilm right out of the water. Im making the switch now!
Add to that the desire for multiple camera angles in a 1-man operation and the DSLR route starts to look even more cost effective.
FWIW the guys doing this were using DSLRs and gopros and the low light performance seems pretty good