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The attenuation on the Lazy J is great, and my Carr Mercury V is a simply wonderful versatile amp.
Speaker sensitivity has a pronounced affect on amps. My Laney Cub 12 is easily loud enough to gig with when used with a Celestion V, but not the stock speaker.
That's why every gig I ever did, I carried at least 10 amps - ranging from 1 watt up to 300 - and switched them out during soundcheck in an iterative process of closing in on the perfectly powered amp for the situation. Since some big gigs needed very low stage volume, and some small venues needed a surprising amount of firepower on stage, I could never pre-suppose the gigs requirements and take less than 10 amps. Eventually I had to stop gigging because the cost of having half a dozen Sherpas employed to lug the amps about on gig night were becoming excessive. There was also one incident where my 20 watt Fender was too quiet, but my 30 watt Vox was too loud. I had another fender that I'd measured at being 23 watts max clean output, but it blew a valve 30 seconds after I turned it on. I therefore threw it in the bin and had to drive home with the other 14 useless amps I'd brought to that particular show rattling around in the back of the lorry I was using at the time.
Bandcamp
Spotify, Apple et al
The funny thing is that he sold almost all of them - I think he still has a Princeton - and now he uses a Peavey Backstage mostly .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein