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Tate FX
www.TateFX.co.uk
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There are better mics for some situations, but the '58 is a classic for a reason.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
Having said that, I've recently got the 'fancy '50s shaped thing' bug, as they do look better (maybe I've been watching too much Twin Peaks?). So I'm tempted by a Shure 55SH, but have no idea what one sounds like. Anyone ever used one?
Has supercardioid pattern, is 4db hotter but lower handling noise, harder grille and has more top and bottom end compared to the regular 58.
If the singer is a screamer then I stick a regular 58 in front of them, otherwise they tend to distort.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Rode M3. Far more detailed than a 58.
58's suit singers that project well but if you have a lower register and less projection I find something that adds a bit of presence and detail far better.
Have you not had issues with this?
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
I keep an Audix OM5 in my gigbag too for its unrivalled feedback resistance and there’s a 58 in our PA bag as a spare.
Our singer uses a Line6 wireless, within which he uses the 58 model I think.