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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
For what it's worth I much prefer a wound 3rd string to a heavy plain one exactly for this reason, but I often play clean. A plain 3rd sounds too smooth and clangy - 'bell-like' in the wrong way.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
If you’re going to the expense of changing pickup then you could try a humbucker sized P90, which ought to be brighter than a humbucker.
Alternatively, I use a bridge pickup which has different magnets on the bass and treble sides. I’ve not seen this on a neck pickup, but I’m sure @Alegree or @TheGuitarWeasel would be interested in making one.
There's always going to be a difference, but as strings age wound strings typically go 'dead' sounding faster than plain strings, which would exacerbate this character
I guess also try different strings gauges?
Another option for addressing the tonal difference between wound and unwound strings is to change the bridge saddle material. My ES-335 has a Faber ABR-1 bridge with titanium saddles for the three wound strings and nickel plated brass for the three plain strings. It does make a difference but not as pronounced as having a pickup with A2/A5 magnet mix.