I have had a lot of different styles of guitars over the years; Les Paul, 335, Strat, Tele, Junior, Esquire, Ibanez Satriani to name just a few. Whilst I have enjoyed trying them out I came to the realisation that Les Paul’s were the one for me.
By then I had (and still have) a nice 2007 Standard. I also had quite a collection of other guitars. So I decided that rather than have lots of nice guitars that I really liked I would try to find a couple of exceptional guitars that I absolutely love. One was the Standard I already had and after playing lots I decided I really wanted an R8.
So after lots of looking, trying, selling and trading, yesterday I did a deal on this beauty
https://www.dropbox.com/s/5q0cbrgm2gsr8sx/Photo%2029-03-2019%2C%2014%2046%2049.jpg?dl=0It’s a 2009 VOS R8, chambered and it is mega! I thought my 2007 standard was good but this is a step above. I’m glad I took my time as I wanted to find one I loved and I genuinely love this. Lots of gigs up coming so I’m now just gonna gig the crap out of it probably with a stupid grin on my face the whole time!!
Would also like to mention Tim from Leo and Ted’s electric guitars whom I bought this from. Genuinely really great bloke, I have got to know him recently as we have done a couple of deals and I can’t recommend him highly enough. So if your looking to sell, trade or buy guitars please consider him especially for fender and Gibson style guitars
Comments
I'm not trying to diss the OPs new guitar in any way. A new guitar that you love is a wonderful thing and I'm really pleased for him. I am just surprised that a chambered guitar would get the Vintage Original Spec tag. Or is Gibson moving away from their original definition of what VOS means?
I just tried to find the best guitar I could within those broad limits and not worry too much beyond that. It’s a cracking guitar so ultimately I’m very happy, but I would like to know a bit more about what VOS really means and it’s relationship to the guitars being chambered or not.
Fender offer most guitars now with a 9.5" fingerboard radius and larger frets as that is what most of today's customers require - Not historically correct at all - Ditto with certain finishes they offer - Ditto Strat bridge pick up wired to a tone pot - ditto a thinline style 50's Tele - I can go on and on - The Custom Shop nature allows for such changes as required
Personally I think it is a good thing, providing most of the historically integrity and ethos is retained - Would be a bland market if all guitar shops had the same identical R8
Counter-intuitively, 'VOS' refers to the finish - it's not supposed to denote that a guitar is historically accurate. VOS is a lightly rubbed finish and the hardware is lightly tarnished, in contrast to a high-gloss finish. For example, Gibson Memphis did a run of 335s with Bigsbys last year that weren't reissues of a particular year but had a VOS finish.
Yes this...
You don't see it on their site any more but often you would get two versions of the same guitar.. One is all shiny and new and one was called the VOS finish.. Which is aged or distressed in some way. They would do this with USA Signature models too.. Sometimes there would be three versions. A standard finish, VOS finish and VOS signed....
Actually I just went an looked.. If you look at the specs of this guitar where it says Finish.. It says VOS.. So yeah, not the guitar, just the finish..
https://www.gibson.com/Guitar/CUSFXC951/60th-Anniversary-1959-Les-Paul-Standard
http://www.rabswoodguitars.co.uk/
https://www.facebook.com/RabsWoodGuitars/
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Yeah I was much the same when I bought my first standard level type guitar.. I had never even seen the Gibson website at that point (2002).. I only knew about what I saw in the shops.. I had previously had a LP Studio but always found the neck a bit chunky.. All I knew at that point was that I wanted a darkburst and a Standard like my guitar heroes..
When I tried it I was so disappointed as the neck was probably even more chunky.. So the shop owner gave me a Classic to try.. It was night and day the difference for me... I had no idea what a Classic was, I just knew it felt great to play. And its probably better that way. I think some times we can over think this whole process.. Just go with what sounds and feels good to you.. I was also very thankful that the same guy told me about nitrocellulose and rubber on guitar stands or I would have been in for a huge shock
http://www.rabswoodguitars.co.uk/
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