I went out today, with the idea of getting a guitar for playing vintage rock'n'roll/rockabilly stuff.
It's a style I like to dabble in and have done so previously on Gibson & Eastman 335s and some Gretsch Electromatics.
I was looking for another Gretsch mostly but wanted to try some Teles, too.
The shop had some nice pre-owned semis, including a Gibson Lucille and an ES330 with P90s.
I didn't take to the Lucille but the 330 was a lovely, light semi, with a really nice, warm resonance.
It was also incredibly loud but that was down to the bridge P90 being so high, as to almost touch the strings.
I'd like to have taken this one home but it didn't really have the tone I was listening for.
I tried a few Teles out, of which my favourite was a brand new, Fender American Original 50's Telecaster.
Great neck and pickups and again, I'd like to have brought it home.
But I wanted to try a Gretsch and the one that really got my attention was a Brian Setzer 2-Tone Hot Rod with Bigsby.
It was in Roman red, which is somewhere between burgundy and pale purple and is a translucent finish.
It has some lovely striped maple beneath and the sides are a lighter colour than the back & front.
It was a preowned model in mint condition.
The first thing you notice is that it only has one volume and 3-way switch for controls.
Cool, I always have the tone on full anyway and it gives the guitar a nice clean look.
This is a very well put together guitar that also has the benefit of locking tuners.
Which really assists with string changes, a real boon with those notorious Bigsby, string anchor posts.
The only disappointment was the previous owner had set the guitar up with really low, low action and 10 guage strings.
Impossible to play without buzzing and it does nothing for tone either.
But despite that, the TV Jones pickups really shone out, with bags of definition and character.
As a comparison I also played a rather pricey and a little gaudy, G6136T Limited Edition Falcon, in Azure metallic.
Which despite it's slightly O.T.T. looks, I liked and it has the blessing of string-through Bigsby string anchors.
And a rather nice Electromatic G5420T Semi-Hollowbody, in Aspen green.
But to my eyes, ears and hands, the Setzer Hot Rod was the winner.
It is a class act and had by far the smoothest Bigsby tremolo.
So it came home for a really great deal and the first thing I did was put some D'Addario NYXL 11s on and raise the action a tad.
Put it through my Princeton, with spring reverb and some slap back echo, from my TC Electronic Flashback.
Very nice indeed for some vintage rock and boogying billy.
I even added a little crunch for some lead lines and was very impressed.
I've always had a bit of a love/hate relationship with Gretsch guitars but this Hot Rod is definitely giving me that warm fuzzy feeling.
Specs:
Build: Hollow Body Cutaway
Single CutawayBody
Finish: Gloss Urethane
Body Shape: Nashville® / G6120
Body Material: Laminated Flame Maple
Bracing: 1959 Style Trestle
Body Back Arched Laminated Maple
Body: Top Arched Laminated Maple
Maple Neck
24.6" Scale Length
9.5" Fingerboard Radius
Ebony Fingerboard
22 Frets
TV Jones Brian Setzer Signature Filtertron Pickups
Bigsby Vibrato
Comments
And they do have a very distinctive sound.Lovely guitar.
If you dive bomb your Bigsby, then you’re seriously missing the point. It’s just for the gentlest of touches.
Thanks Marlin, perhaps "agricultural" was a little overstated but they are a large chunk of metal.
Perhaps "industrial" would have been better.
I'm well aware of what the Bigsby is good for and when it's set up well, like the one on the Setzer is, it is a pleasure to use for subtle and not so subtle vibrato.
For this type of guitar and the genre I intend to use it for, I can't imagine a better trem.
Unless is was made by Duesenberg.
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