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Comments
Like you say, if they can iron out these problems then things can only get better for the company.
From my albeit experience I've never seen a guitar player more excited to own a guitar than when they buy their first Gibson. It's like a bucket list thing for a lot guitar players and it's like: "finally, I have a Gibson guitar!" regardless it be a custom shop or a studio model.
It's cliched to hell but I think their slogan "only a Gibson is good enough" has really persuaded people who buy one that nothing else comes close.
I think they're making some really good steps in the right direction because I don't think anybody wants to see Gibson go out of business. Unlike Fenders which come across assembled a Gibson comes across like it's been crafted and I think that has a very big appeal even to this day.
But so far, I can't see anything amiss - apart from them having the sodding scratchplate on by default!
It is almost as though in the past, that they could get away with a 'lethargic attention to detail' as they know that to many potential customers 'that only a GIbson is good enough' was still the main priority
That said, I do rather like music made on a fender that looks like its been dragged behind a truck down the M1 for a few miles.
I was initially very put off as it had quite bad quality problems such as scrapes and a kind of knot like dent on the fretboard. But also a large part of the disappointment was that I'd only played Strats and the weight distribution and balance felt wrong.
I was going to sell it but due to the shifts I work and having a new born baby, it wasn't practical to sell so I put it in to a shop not expecting much but received a miracle job and the quality problems are fixed.
Also got more used to the LP shape and have added a bit of weight to the headstock (stuck some tungsten putty to a clip) and it's actually now my favourite guitar.
I could be completely fooling myself but it really does feel more like someone has made it rather than a machine run by a computer. I think the imperfections might be a big part of that. Rustic guitars!
But still (and reading the other "new line-up" thread) - all the talk of super dry fingerboards, glue overspills, string alignment stuff... It's so strange, it's like discussing the quirks of cheap but loveable obscure import guitars, not £2k flagship products from the oldest company in the game!
However, they were all shipped tuned up... Which I was pretty shocked at. Everything was under tension from Nashville, which I imagine could have caused issues.