I've always loved Guthrie Govan's solo in Steven Wilson's Regret #9, but what's interesting here is hearing the isolated guitar sound vs. how it sits in the mix.
First, the solo with the rest of the band:
https://www.youtube.com/watch?v=IaH2C2Qe97YNow, the same thing with isolated guitar:
https://www.youtube.com/watch?v=BL4OCue18jYThe isolated sound seems a lot harsher and edgy than it does in the mix.
Also, it's interesting to note at 0:40 that the video track has vibrato but the video does not show Guthrie playing vibrato, ie. he's "miming" for the video
Great musicians, great track, and great solo.
R.
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I guess it reflects how we spend our time playing: live, recording or at home at bedroom levels. There is no right or wrong guitar-amp sound or one situation being better than the other imo, just different sounds suiting different settings and jobs.
It's quite interesting, if you actually want a tone to be bright and jangly or deliberately harsh/ cutting in the context of a mix, just how strident it can sound out of context.
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I personally wasn't surprised by how it sounded isolated. Might be experience, or just used to hearing guitar on it own. Also probably a factor that musicians listen to music in a different way to the average listener. We tend to pick stuff out as opposed to just listening as a whole, as much a failure as it is a plus.
Steven Wilson has had some awesome guitarist with him and he's no slouch himself, but my personal favourite guitarist has to be Niko Tsonev. I always feel that he's the one that reaches me most personally and also the easiest to identify without seeing or knowing who he is. Guthrie can be a bit of a chameleon. Niko is a really nice guy but most of all I can't seem to replicate his sound/feel even if I play the exact same notes. The hallmark of a really strong player having such an identifiable style.
The solo vs. Mixed thing is an even bigger thing for bass - a soloed bass guitar sounds nothing like it does in the mix, everything from the low mids up is masked by other instruments.
In solo, I'd think most people would think a jazz with round strings sounds much better than a precision with flats. But in the mix both sound great.