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Tone control pots place a load on the pickups. If the connection carrying the signal to the tone pot is broken, the loading effect ceases.
Does the problem affect both pickups?
If just one pickup, does turning the tone control down when that pickup only is selected kill the volume?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Stock pickup? (The one without a metal plate on the underside.) They all do that, sir.
What they also often do is develop cold solder joints at the eyelets, which if it's at the ground end produces a thin, bright and weak sound which the tone control will roll off almost completely like a second volume... hence the previous questions .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
(The neck one is actually fine.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
@icbm i suspect you’re right about a decent bridge pickup. I’d have hoped that on a US guitar it would be better than it actually is, but it’s actually surprisingly generic sounding. I’ve often suspected that there was a period when Fender made pickups designed to make everything sound like a guitar rather than like a Tele, Strat, or whatever. Anyway, the OilCitys in my MIM Strat are far more articulate and organic sounding so could easily be tempted to change the Tele’s pickups at some point.
A lot of people think the USA Standard *bridge* doesn't sound like a 'proper' vintage-style Tele bridge with three saddles, but it's not the problem - it's the pickup. I had a 90s US Std Tele, and when I put a Duncan Antiquity in it it sounded fantastic and as much like a vintage Tele as you could ever need.
I did put the Antiquity neck in too, but that made less of a difference - the Fender neck pickup is actually OK - but if cost isn't an issue you might as well do it.
Also, if the guitar has some patent-pending tone circuit (it will, but I can't remember which version in 2005) get rid of it and fit a standard 250K Log/.047uF tone control... it just sounds better.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Back in the day, my theory was that Fender was attempting to make the Am Std sound like a vintage piece by increasing the treble response of the pickup to compensate for the machined steel bridge and compressed powder saddles.
When I tried the pickup in a Telecaster copy with an all brass bridge, it still sounded shrieky and horrid.
Quick change to a three-way selector and everything is back as it should be.