This guitar has been one of my longest serving Teles ... my personal gigging guitar, that is about to go into service with me in what may hopefully turn out to be my new band.
I mostly play rockabilly these days ... and it's a little appreciated fact that the Tele was at least as big a part of early rockabilly as various Gretsches.
This old girl is a total mongrel ... the body I bought cheap online years ago. its quite weighty, but not in boat anchor territory. The neck is a one piece maple one canabalised from a Squier Telecaster Custom. It's got four way switching that includes 'pickups in series' and has a tapped bridge pickup with a big mid shove called up on the push/pull tone control.
Why do I love it so much? Aside from it being a Tele ... well the neck is a total peach: matt finished, chunky enough to let you know it's there, but not a telegraph pole. And well ... it all just came together and worked ... sometimes partscasters just do that.
It's a guitar that feels as comfortable as an old pair of slippers ... yet growls and snarls like no other Tele I've had when you dig in.
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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
But as I only do two tapped tele bridge pickups ... it's a Wapping Wharf in the bridge, and a HonkyTonk Angel in the neck: so very much early Broadcaster spec.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
My red strat is like this. I fairly rushed putting it together, pine body, weighs very little... So I used a wudtone bridge and block to add some mass and balance it. Strung it up, tuned it, quickly set the action and it's pure vintage-modern strat!
Calibre 53s helps
It's actually got a lot of my favorite touches on it ... the eagle eyed might notice it's sporting all slot head screws, like early Teles ... a single layer scratchplate, and up the other end is a bone nut. Strings are 10-52 ... my favorite Tele gauge.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Gigging: my Laney LC30 ... we've been a long way together, and it has one of the best clean sounds out there. I tend not to use the LC30's gain channel, as I find it has a slightly different EQ to the clean channel and always sounds darker.
I use cheap as chips Joyo delay ... set to slapback for rockabilly ... and a Joyo American pedal ... equally as cheap and used to add grit after the delay if I want it. Both pedals count as the best purchases I've made in many a year ... the delay does just what it says on the tin. In fairness it doesn't have to be versatile for my 'sound' and all that ever really gets varied is the volume of the repeat on slapback. The 'American' has a very authentic 'Fender' sound and can even double as an amp simulator in an emergency and let you go straight into the PA. Both pedals cost me under £70 the pair!
Of late I've been using a Boss Katana amp a lot, and have been super impressed with how it takes pedals (as well as it's own sounds) so I may end up using that to save my back at smaller gigs.
springhead said: Steel saddles ... I prefer the tone.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message