It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Maybe not got the low end girth of the big ones, and @ICBM has some thoughts on how muddy it gets when pushed...but honestly, I've not experienced the latter and never noticed the former, genuinely. I love mine. I ran a Tube Screamer into mine and it sounds lovely, almost (not quite) high gain.
Does Hendrix, Led Zep, Cream, Peter Green type stuff, blues, classic rock, I reckon even Van Halen and Sabbath stuff, but that's just my ears. I play a load of blues on it, best amp I have for that...I like it anyway, YMMV.
Can't comment on the loop, never used it.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
The 1987x is one of my favourite sounding Marshalls but it's just too bloody loud for most things. You'll get the Studio series sounding great at more reasonable volumes and they're the ideal size for most venues the majority of people play (ie small stages in pubs clubs etc). Much nicer to carry around too and I really like the matching vertical cabs. The Vintage (plexi) would probably be my choice mainly just for how cool it looks, but it sounds great too. I own a Jubilee and it's possibly my favourite of the 3. Just so versatile, and the subtleties of the differences in voicing/gain tends to get lost in a mix anyway - can get it pretty similar sounding to both the Vintage and Classic plus the higher gain stuff.
Volume wise - the SC20 has the benefit of a Master volume but even in 5W mode it is monsterously loud when the power section gets cooking as it needs to. I imagine that with amp drive the SV20 will be even more difficult to tame in the house.
HOWEVER, the good people of Bugera have done their own Attenuator which has received good reviews and it's not very expensive.
It's not an IR loader or EQ or any of that £1000 for a sodding attenuator bollocks, it's just a "make it usable in the house" box.
I will be buying one as soon as anywhere has them in stock again.
Clean sounds don't need it of course.
https://soundcertified.com/speaker-ohms-calculator/
It's a good amp if you want the natural overdrive of a Super Lead at lower volume - it pretty much nails that - but it isn't very versatile and doesn't take heavy drive pedals well.
As with everything, YMMV.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I admit to being one of those who have been banging on for years that Marshall should make exactly this amp, and that I was really optimistic when I saw it, but with a band it was disappointing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Depending on your band, I've found my mini Jube in rhythm clip mode running at around half volume to be just the right volume to match my drummer's kit, and the lead boost punches through perfectly for solos.
If you need to run a 20w flat out or boost it to the moon you're running the wrong amp IMHO and you'd be better off with the 1987x or a DSL/5150/Mesa.
It's all about the right tool for the job, and these 20 watters won't be the right tool for everyone, however they're great for me
Slightly different, sure...
can you buy one so I can come and test the theory?
I reckon for the SV20H you need to go old-skool - crank it up to 6 or 7 and use your guitar volume control for cleans and lead boosts Kossoff-style.
that may not fit with the other guitar though