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Check out Jason Reads YouTube channel, he covers loads of these tracks and is normally pretty accurate.
https://www.youtube.com/watch?v=15pUPXgBNOw
Fairly sure Jason's video ( above) doesn't have the riff correct. This one sounds better, might help if you can speak Russian ( ?) but there's a good close up.
https://youtu.be/99p35Dk8EV4
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Over the chords is a guitar melody which puts one off a bit, and if we can find chords that incorporate those notes at the top, that would be good.
The notes are G#_____ A# G# F#____
The chords are
D#m
B
C#
G#m
The chord extensions are:
D#m9
Bmaj7add9
C#add9
G#m
and if you add the solo notes on top it would be
D#m9add11
Bmaj7 add9 add maj14
C#add9 add12
G#m7 (the 7th is an octave up, so add14)
I make that:
X64664
798876
X43444
46647x
or something. I haven’t got a guitar to hand, so there is very possibly a mistake or two!
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Db/Eb - Ebm7 - Db/Eb - Ebm7 - Db - Abm7
Obvious voicings,
Db/Eb - x6666x
Ebm7 - x6867x
Db - x4666x
Abm7 - 4x444x
The harmony is spread nicely between the instruments so it’s a little trickier on guitar, but try these,
Db/Eb - x6x664
Ebm7 - x6x676
Db - x4x664
Abm7 - 4xx442
But the triads in the top 3 strings will suffice.
xxx342
It’s the way the voices are spread and the instrumentation that’s probably making you question it. If we play conventional guitar shapes for Abm7, it doesn’t quite sound right does it? Too congested and a little flat...
Keep the 7th at the top of chord (as with my 2nd option). The distance from the root (pun intended) makes it more ‘open’ sounding, kinda suggesting an Abm11,which has that sound and would also work.
I’m still working on my theory but where does Abm fit in that if it was that key?
C#/D# (AKA D#11)
D#m7
C#
G#m7
Sometimes I think rocket science would be easier than this music theory stuff