It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
I have had many attenuators from the cheapest to the most expensive. Playing on my own at band volumes it sounds great but i find in a band context alongside another guitarist who doesn't use an attenuator i sound weak in the mix. More than "two clicks" with any attenuator leads to this i feel. Does anyone else find this?
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Explains why just 3dB can render a couple of my amps 'a bit too quiet' for loud situations...
Also worth considering the loss of top end - whether that is subjective I don't know, but any attenuation in my experience kills some top end.
Maybe less attenuation, less volume on the amp and a bit of gain from a pedal would help.
It's compounded by the fact that in a mix of nearly equally loud sounds, the loudest sound dominates and the quietest tend to disappear, so a change that isn't that obvious in isolation - 3dB is often said to be about the smallest change you can reliably tell, without a comparative reference - can make the difference between too loud and too quiet when it's competing with other similar-volume sounds... which of course is exactly what a good band mix is.
One of the best attenuators for fixing this is the Dr.Z Airbrake, which not only has very small steps (other than the 'bedroom' setting) compared to most attenuators - only 1.8dB each - they can be adjusted internally to be made even smaller if you want. For a stage-only attenuator, 1dB steps would probably not be excessive.
It's largely a psycho-acoustic effect, but still real - due to the Fletcher-Munson Curve which describes how the frequency response of the ear varies with volume. Many attenuators have a slight amount of treble boost and/or bass boost to help get around this, some switchable.
Many attenuator makers suggest that you can set your amp to sound great and then dial the attenuator down so it sounds the same but at the right volume - this doesn't usually work. What you need to do is set the attenuator to the right volume *first*, then dial the amp in for that, which may mean more bass and treble.
It can do, yes. My experience is that trying to do all the volume reduction at one point in the system works less well than doing less at several points - as such, I've usually found that attenuators work better with master volume amps than non-master ones, which I know is contrary to the reason they were invented!
Yes. I've usually found the best sounds by being able to get the master volume up to just where the 'good tone' kicks in, rather than cranking it all the way. Using both together makes it possible to get a *better* tone at *lower* volume than with either alone.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein