About a month ago I took deliver of my second Forshage Orion headless guitar.
This one wasn't made for me- I bought off the peg and unplayed- Mrs Oct collected it from Texas when she was there on business.
I chose well, it is very nice to play, feels the same as my hollow body but a bit weightier sounding, especially when gained up.
Probably not for everyone here (or anyone) but I love Chris' guitars, he makes some of the best handmade guitars I've ever played.
Spec:
Top Wood: Burled Maple
Body Wood: Mahogany
Neck Wood: Mahogany
Neck Profile: "Slim C" .847" @ 1st fret .892" @ 12th fret
Fingerboard: Pau Ferro, Maple Binding
Scale Length: 24.9"
Radius: 10″-14″
Frets: Jumbo Stainless, 6105
Inlays: Luminlay Glow in the Dark Dots
Nut: Bone, 1 11/16"
Tuners: ABM Headless
Bridge: Tunematic
Pickguard: No Pickguard
Pickups: Lollar "High Wind" Imperials
Controls: 3-way switch, volume and tone, push pull for series/parallel
Finish: Satin Nitro Lacquer
Weight: 6lbs 7oz
Comments
It isn't the way you think it is pronounced.
It isn't even the second way you think it is pronounced.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
But all I can see is Murun Buchstansangur (80's thing, you had to be there).
**
Superb quality of woodwork and guitar making. I bet the guitar sounds and plays like a delight.
I see the specs, essentially, twin humbuckers, mahogany body..but out of interest, given the shape and other appointments and design, what does something like this sound like, i.e. ball park? A Gibson? A PRS, or does it have it's own unique sound? Is it versatile?
Wouldn’t say Les Paul or PRS though.
It is much lighter (physically) and it has more bottom end than a typical LP when played acoustically.
The Lollars are a familiar pickup, have them in the other Orion, which is a hollow body.
The splits are very good too, like my other one.
The neck though, my god! Chris carves an amazing neck.
The guitar covers a lot of sonic ground, it will do all the fusion/jazz stuff I play easily, great clean tone, takes gain very well, although I wouldn’t use it for metal.
When I’m settled in Switzerland I’ll do a video.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
https://gear-vault.com/wp-content/uploads/2008/10/fernandes-nomad.jpg
Win a Cort G250 SE Guitar in our Guitar Bomb Free UK Giveaway
Heavier than my hollow body but barely noticeable.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Band Stuff: https://navigationofficial.bandcamp.com/album/silhouette-ep
Weren't you planning to get another of these custom built? Is that still happening?
It will be an Languedoc style hollow body with a headstock and more jazz voiced pickups.
I'm considering a 7 string 'shred' oriented Orion too.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
A Breadwinner- I guess it is similar in that it is an odd shape but the Ovation is even less ergonomic than a regular guitar.
The Orion is most closely related to the Klein, which itself is based on Steinberger's ideas.
This is a Klein:
They are an 80's design sold into the 90's.
None of them were made with truss rods, just a big chunk of rosewood for a neck.
Some of them are fine... some of the really aren't.
I've had a couple of Steinebergers but never owned a proper Klein, played a few though.
Chris' guitars are quite a bit better- solid tuning, proper electric guitar tone, rather than high output actives in the Kleins.
You could always retrofit any pickups you want I guess but Kleins are now considered collectible and I'd not want to rip one to pieces and there is always the risk the neck will do a pretzel trick on you.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com