Walter Becker's guitars & amps to be auctioned

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  • earwighoneyearwighoney Frets: 3494
    Some crackers in there, the 00-28 in particular, never seen a pickguard like that before.  Original too. 

    Seems he is a John Fahey fan as well! 
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  • crunchmancrunchman Frets: 11448
    Not likely to be many bargains by the time you ship them to the UK and pay duty.
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  • WhitecatWhitecat Frets: 5421
    Don't think buying these sorts of thing should ever be a try at a "bargain."
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  • GrangousierGrangousier Frets: 2631
    Of course, the term "Guitar Acquisition Syndrome" was invented by Walter Becker, so in some ways he's the patron saint of the FB:

    G.A.S.
    by Walter Becker

    (appeared originally in Guitar Player)

    gapgif I have decided to break my long standing editorial silence to draw the attention of the musical community at large and guitar players and guitar owners in particular to a grave situation whose tragic dimension is constantly expanding and is in fact threatening to engulf us all. Picture this:

    gapgif I am in the family room of a well appointed home in the North Hollywood area of the San Fernando Valley which is the neighborhood favored by many if not most of the top studios players in the L.A. basin. Every third house on this block belongs to a session player and contains a demo studio full of midi gear. This is the home of well known and endlessly talented picker of long acquaintance who for obvious reasons must remain nameless*. The gent in question is a devoted husband and a doting father, but right now there is no family in the family room; there's no room for the family in the family room. All horizontal surfaces are covered by guitars - acoustics, electrics, lap steels, old ones, new ones, weird little ukulelelike things with no proper names - and, as I sit strumming the last treasure to be produced for my delectation, my pal disappears out of the room asking if he'd ever showed me his Delvecchio which I gather is some sort of Brazilian rosewood dobro- and mind you this roomful of strings and frets are only the ones that he has sitting around the house and ALMOST NEVER USES AT THE GIG -

    gapgif Or consider this:

    gapgif I'm working at a studio in town with another well known session cat who has had roughly the same readily identifiable and winning sound for the last twelve years or so - but I've noticed that he never shows up for a call with the same guitar twice - true, they all sound about the same but for some reason these excellent sounding (and looking) axes are constantly falling out of favor and being replaced by sonically indistinguishable ones - and further probing reveals that each one of these guitars has been extensively modified and remodified using the latest space age (or is it now post space age) materials and techniques ("this bridge here is made of unobtanium - so rare you can't get any of it anywhere"), only to be rejected and discarded AFTER TWO WEEKS OR LESS-

    gapgif What's up with these guys?

    gapgif It's called G.A.S. - Guitar Acquisition Syndrome. You undoubtedly know someone who has it. Reading this rag, you probably have it yourself. Or will have it someday soon or would like to have it. You may think it's cool. But it's not cool. Not anymore. How many Strats do you need to be happy? How many Strat copies, each extensively modified to be able to produce the variations in tone that once would have required maybe four different guitars? How many knobs and switches does that Strat need? Consider this: I am settling up my account for yet another mod to my custom semi solid all Koa Strat clone with the rewound Fender low impedance hum canceling pickups and the Pau Ferro neck, at the shop of a well-known luthier-to-the-stars type guy who says to me, "Stick around, Buzzard should be through any time now - he comes in every Saturday about this time to drop off and pick up guitars -" word is out that Buzzard is going to be the Poster Boy for G.A.S. this year- and now it's Guitar Modification Syndrome, a dangerous complication to the original syndrome, that seems in more advanced cases to be doing most of the damage. In fact I am told by said luthier (one of several who work on Buzzard's and my guitars, since evidently no one luthier can create an ax that will satisfy our jaded sensibilities) that the Buzzard recently returned with a freshly modified guitar that he had impulsively hacked up with a butter knife or some other semiblunt instrument, in a crude and spectacularly unsuccessful attempt to Modify the Modifications - and this THE DAY AFTER HE GOT THE GUITAR OUT OF THE SHOP -

    gapgif The horror stories could fill this whole magazine (not a bad idea) but what matters most at this time of crisis is, What can be done to stamp out this menace before it makes YOUR life a living hell? Here are a couple of ideas which should be reviewed by any sufferer on the brink of yet another G.A.S. attack:

    gapgif 1. Consider for a moment the karmic implications of owning all those guitars. Picture yourself dragging your ass through eternity with all those guitars strapped to your back. In hardshell cases, not gig bags.

    gapgif 2. Who's gonna tune those buggers? Who's gonna change the strings? (this won't work for guys who are buying and selling with great frequency, i.e., if you don't keep them long enough to change the strings)

    gapgif 3. Imagine that your wife finds out how many guitars you actually have ("Is that another new guitar?" "Oh, no, honey - this one's about twenty five years old!")

    gapgif 4. Pretend you are a clarinet player - how many clarinets do you own?

    gapgif 5. Ask yourself: would I like to be thought of and remembered as a guitar player or as a guitar owner?

    gapgif 6. Imagine that you are in whatever vintage guitar shop you visit frequently and are dealing with the owner of the shop. He is of course severely stricken with G.A.S. Now imagine that you are taking on his personality,with each new purchase you become more and more like him. This one exercise, done properly, will do more to stem the tide of new G.A.S. sufferers than anything else I can think of right now. 


    * Dean Parks
    *5/31/96*


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  • jonnyburgojonnyburgo Frets: 12316
    Celeb guitars never go for less than 3x the guide price anyway
    "OUR TOSSPOT"
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  • midlifecrisismidlifecrisis Frets: 2343
    the catologus is £82,   more than double the gilmour one
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  • Jimbro66Jimbro66 Frets: 2429
    I love the prospect of a bridge made of 'unobtanium' :D   Perfect for a Gretsch.

    GMS (guitar modification syndrome) is totally apt for the Making and Modding section of this forum for sure.
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  • RolandRoland Frets: 8704
    GEMS Guitar Enhancement and Modification Syndrome.
    Tree recycler, and guitarist with  https://www.undercoversband.com/.
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  • Jimbro66Jimbro66 Frets: 2429
    Roland said:
    GEMS Guitar Enhancement and Modification Syndrome.
    Even better lol
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  • RichardTRichardT Frets: 71
    I know it's Wrong, but what I'd really like to see is a catalogue of the stuff the friends & family snaffled before the estate put the rest up for sale.
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  • ArchtopDaveArchtopDave Frets: 1368
    Jimbro66 said:
    Roland said:
    GEMS Guitar Enhancement and Modification Syndrome.
    Even better lol
    No it’s not. Enhancement implies there is improvement for which there is not only no guarantee, but there is a finite risk of making things worse.
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  • Jimbro66Jimbro66 Frets: 2429
    Jimbro66 said:
    Roland said:
    GEMS Guitar Enhancement and Modification Syndrome.
    Even better lol
    No it’s not. Enhancement implies there is improvement for which there is not only no guarantee, but there is a finite risk of making things worse.
    Pessimist :P
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  • 57Deluxe57Deluxe Frets: 7339
    seems such a shame that classic gear that is/has been responsible for some of the best music in our lives, gets turned-in for a quick buck unceremoniously...
    <Vintage BOSS Upgrades>
    __________________________________
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  • BrizeBrize Frets: 5629
    1969/1970 Les Paul Custom with 1970 pots. Nothing to do with 1969 then.
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  • Jimbro66Jimbro66 Frets: 2429
    57Deluxe said:
    seems such a shame that classic gear that is/has been responsible for some of the best music in our lives, gets turned-in for a quick buck unceremoniously...
    True, but what's the viable alternative? Also, as @RichardT suggested, some of the historically more important gear may well have gone to family and friends  -  or was sold off prior to his death.
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  • thebreezethebreeze Frets: 2801
    Looks like there were a few bargains to be had.  Particularly the ‘50’s Fender tweeds.
    A friend of mine bought the Gibson CS ‘54.

    https://www.julienslive.com/m/view-auctions/catalog/id/312?items=12

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  • AlexCAlexC Frets: 2396
    Who?
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