Do roller bridges kill tone?

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LebarqueLebarque Frets: 3863
I've seen this mentioned, but is it true? Why don't Fender have them on Jazzmasters and Jags rather than the floating/rocking affair? Surely a roller would be better?
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  • fretmeisterfretmeister Frets: 24274
    Didn’t on the Kahler trem I had.
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  • SchnozzSchnozz Frets: 1948
    They're essential for a bigsby IMO
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  • ArchtopDaveArchtopDave Frets: 1368
    Fine on my custom made guitar....which has a Bigsby.
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  • OilCityPickupsOilCityPickups Frets: 10387
    edited August 2019 tFB Trader
    Schnozz said:
    They're essential for a bigsby IMO
    Pretty much ... my Gretsch 5220T has a TOM and it seems to be doing more to kill the tone than the beefy roller bridge I fitted to my old white Ibanez AFD75T semi. The stock roller bridges were pretty naff with sticky rollers but I modified the bridge and fitted one I got from Northwest Guitars ... basically a Schaller clone. To me a bridge that works is far more important than wringing the last bit of sustain out of an instrument. I may go the Truarc or Compton route on the Gretsch, but whatever, the TOM has to go.
    Professional pickup winder, horse-testpilot and recovering Chocolate Hobnob addict.
    Formerly TheGuitarWeasel ... Oil City Pickups  ... Oil City Blog 7 String.org profile and message  

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  • ICBMICBM Frets: 72333
    While it may not be the only reason, Leo Fender was a cheapskate and liked simple solutions. Pivoting the whole bridge on the height screws was cheaper than using a more expensive piece of engineering.

    I don’t think they affect the tone if there’s enough down-pressure to keep everything tight and stop the rollers vibrating, but opinions differ...

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • No. My favourite bridge is a Schaller roller. 


    I sometimes think, therefore I am intermittent
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  • TheMarlinTheMarlin Frets: 7862
    Schnozz said:
    They're essential for a bigsby IMO
    Nope. I use sold bar bridges, such as Compton and Tru Arc. Won’t have a roller bridge on a Gretsch. 
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  • CorvusCorvus Frets: 2925
    tFB Trader
    I've used several Wilkinson-pattern ones that sound fine. Only tone-sucker was a Schaller, not the one above, it was a rectangular lightweight thing with not much meat on it. That came off PDQ.
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  • crunchmancrunchman Frets: 11448
    My Gretsch sounds fine with a roller bridge.
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  • OilCityPickupsOilCityPickups Frets: 10387
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    crunchman said:
    My Gretsch sounds fine with a roller bridge.
    I have slightly uneasy rumblings about intonation at the thought of fitting a bridge like a Compton or Tru Arc ... as a fixed bridge compensation can't be right for every string gauge one might fit ... I might be wrong of course :-)
    Professional pickup winder, horse-testpilot and recovering Chocolate Hobnob addict.
    Formerly TheGuitarWeasel ... Oil City Pickups  ... Oil City Blog 7 String.org profile and message  

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  • ColsCols Frets: 7001
    I have roller saddles on my (non-Bigsby) Les Paul, as part of my ‘everything but the kitchen sink’ quest for tuning stability.  It sounds absolutely fine.
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  • CorvusCorvus Frets: 2925
    tFB Trader
    crunchman said:
    My Gretsch sounds fine with a roller bridge.
    I have slightly uneasy rumblings about intonation at the thought of fitting a bridge like a Compton or Tru Arc ... as a fixed bridge compensation can't be right for every string gauge one might fit ... I might be wrong of course :-)
    I was exactly the same but Comptons are great. They intonate well and sound good. I fitted one to an Ibby AF75, improved the tone a good bit and helped with the Bigsby (Ibsby?) Drilled out to 6mm to fit the stock posts.
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  • OilCityPickupsOilCityPickups Frets: 10387
    tFB Trader
    Corvus said:
    crunchman said:
    My Gretsch sounds fine with a roller bridge.
    I have slightly uneasy rumblings about intonation at the thought of fitting a bridge like a Compton or Tru Arc ... as a fixed bridge compensation can't be right for every string gauge one might fit ... I might be wrong of course :-)
    I was exactly the same but Comptons are great. They intonate well and sound good. I fitted one to an Ibby AF75, improved the tone a good bit and helped with the Bigsby (Ibsby?) Drilled out to 6mm to fit the stock posts.
    The issue with the 5420t is that it's a newer one with a pinned bridge, so you can't easily move the bridge to intonate.
    Professional pickup winder, horse-testpilot and recovering Chocolate Hobnob addict.
    Formerly TheGuitarWeasel ... Oil City Pickups  ... Oil City Blog 7 String.org profile and message  

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  • LebarqueLebarque Frets: 3863
    What prompted my question is that I stumbled across this absolute beauty the other day: 
     https://www.vintageandrare.com/product/Rufini-Guitars-Montefalco-Semi-hollow-2019-Magpie-Metallic-74746

    I'm in the midst of building a partscaster (jazzmaster) and was going to go traditional, but this has inspired me to think differently. Rather than stumping up for Mastery/Staytrem, I could get a Duesenberg Les Trem II and a roller TOM bridge. It would differentiate it from the usual JM aesthetics too. It's going to Firebird pickups in. Not heard of ABM bridges but assume they're good. Tonepros do a roller too. Only problem is they all seem to be for 12" radius. I'd want one for 9.5.
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  • CorvusCorvus Frets: 2925
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    Corvus said:
      The issue with the 5420t is that it's a newer one with a pinned bridge, so you can't easily move the bridge to intonate.
    Think with those you either replace the studs, chop them, or use a base off the earlier ones. Haven't dealt with one of that type of screw pinning though myself though. Although on one Gretsch with the old trad pinning it did happen to be bob on as-was.. pure luck.. but that type pinning is simpler to dodge.
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