On a rare date night with Mrs Phoenix last Friday night, we eagerly consumed a fine curry at our favourite restaurant before heading into town to watch a good local band that we'd previously both enjoyed at the same venue.
During the first set it was clear that the FOH sound was imbalanced in favour of the bass and vocals, so I casually told the guitarist in between songs that he would benefit from turning up (or rather if the bass went down).
Come half time, no changes had been made to the PA, so I struck up a conversation with the guitarist about his Kemper (which i'm sure sounded excellent to him on stage) and again told him I couldn't hear the guitar (as well as other parts of the mix) sufficiently, I validated my experience by telling them I ran the PA for my band and we'd played there the week before, and the discussion spilled over into talking with several other members of the band about the situation but it still fell on deaf ears.
We left not long after they started their second set.
Do you/should you listen to punters' opinions/feedback about FOH at a gig regardless of their credentials?
Or should I have said nothing?
Comments
Because if someone who knows nothing about mixing a band but is familiar with listening to recorded music - which is basically everyone - can spot that something is that wrong with the mix... IT IS.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
If someone with no technical insight whatsoever tells me they can't hear the vocals properly or it's all too bassy I will do something to compensate, but I'm always being told by fellow guitarists that my guitar is not loud enough, when I know they're wrong and they appreciate guitar more than they appreciate my role on the majority of our songs.
I have bucketloads of headroom to spare at solo time, but what I'm generally listening for when mixing from the stage is a powerful, detailed mix of instruments under a crisp, clean vocal, not an ego-driven guitar wankfest.
What gets right up my nose is “dadagers” or students doing a college course coming up telling me how to mix!
Both myself and the bass player are wireless and we use a digital desk with tablet mixing so our sound is usually bang-on for an average listening position. Of course, most pubs aren't designed with live music in mind...
It really, REALLY annoys me when - at the end of a 2 set gig - someone comes up and says to me "Great gig, but I couldn't hear the guitar / vocals....". FFS, why didn't you say something earlier??
As I'm the only person capable to manage the PA (due to everyone else being lazy), I'm conscious of trying to get a decent FoH sound - so any feedback from listeners is very welcome.
If the band didn't make any changes, they're the ones with the issue.
I've always thought having someone out front mixing it was really important and even on small pub gigs we have someone out front with an iPad. Even then though you get people in the audience who have a different idea of what a good mix is .... some people like a karaoke vocal that's over the mix rather than in it .... some people can't hear treble very well so don't think it's bright enough. People at the front think it's too loud, people at the back not loud enough. You can't please everyone.
The trouble with setting a static mix is it won't work for every style of music and every song. A 3 piece blues band can pretty much mix them selves but when you got 3 guitars and keys and 5 backing vocals someone needs to be mixing it really. In my view the guy mixing it is as important as a band member.