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Secondly, with only two pickups and a CRL three-way switch, it is necessary to have the jumper connections to get the neck/both/bridge arrangement to work at all.
The switch was originally intended to select between one of three options on a military field radio.
On the Strat, this was simplified even further by having both the pickups and switch on the pickguard so the only connections that had to be done at final assembly were to the jack and spring claw.
The cheaper Musicmaster and Duo-Sonic have the whole electrical assembly on the pickguard. All these little bits of time saved allow the guitar to be produced more cheaply.
Of course they then went and blew it completely on the Jaguar! But that was always meant to be an expensive guitar...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Maybe I'm reading it wrong.
The very first iterations of the Broadcaster circuit had no tone control at all. Instead, the selector switch offered
• neck PU + capacitor (preset “bass” tone)
• neck PU
• bridge + blend pot to mix in neck PU
The tone control arrived with the 1952 circuit revision, replacing the blend function.
The only way to get both pickups on simultaneously was to lodge the selector switch lever between the first and second positions.