...I love it! Or at least I do now with the arrival of this rather sparkly example.
As some of you (or at least
@Legionreturns) know I find myself in a country-ish, slightly rockabilly band, and thus have come over all Gretsch lately. I alternate between a red Indonesian G2420T Streamliner and a silver/blue Japanese G6118T Anniversary Players Edition. There's not much to pick between them apart from the pickups and the colour.
Anyway, this popped up locally and it had to be done. A Korean G5128T Electromatic, complete with Bigsby (natch!) and sublime DeArmond 2000/Dynasonic pickups. And the most ridiculous/sublime finish of anything ever.
I mean, the thing could hang on a wall just as a work of art. Most Gretsches are pretty, but I could look at this all day. And thankfully it plays as good as it looks. The Bigsby was a bit low and needed a 5p under the spring as they often do, but apart from that, the frets are untouched and the board is a tasty bit of rosewood. It has the proper bar bridge, same as my 6119, but it's floating, so perhaps needs careful handling. I've never understood why floating bridges are a thing. Intonates fine when it's in place though.
The pickups are utterly superb, probably better than anything else in the stable. Clear, punchy, bright but not sharp, perfect for ambient noodling, rockabilly rhythm, and yes, country picking. The middle position is a thing of utter beauty. Apparently these are a reissue of an old single-coil design and aren't found on many guitars, so this nicely complements the other two humbucking Gretches.
And it a came with a very brown leather Gretsch hard case with a little humidity and temperature gauge built in. Rarely has £400 been better spent! This one's a keeper.
Comments
I'm liking them, still regretting missing a very similar DeArmond
Also, the 2000s and Dynasonics are totally different pickups. So there’s great justification to add those to your collection too
The bridge 100% looks like a Tru Arc to me, though the stock bridges on these are plenty good.
As for the floating bridge, get some violin/cello rosin. Rub it on the base of the bridge every time you change strings. It won’t affect the finish, won’t stick to the body, but provides enough friction to remain stable and in place even with palm muting.
On my one of these, the pickups are a tad too low. I’m sending my one to Ash at Oil City. He’s going to laser cut some dedicated shims to get the pickups to the perfect height. So, if you need any shims, Oil City will be able to help
its a damn cool looking guitar! Congrats.
Feedback
Question for Gretsch expert-types:
Firstly, while I'm not a huge fan, there are certain (older) solid bodies which I like.
That aside (and from a mildly indifferent position), I find the whole Gretsch model range(s)/nomenclature/numbering system/country of manufacture/blahblahblah somewhat confusing.
Is there a preferred/definitive website which chronicles and clearly defines/explains vintage/current Gretsch ranges in their entirety?
TIA.
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Ed Balla has a good Gretsch book that explains the history of Gretsch.
The Tru Arc adds more mass, but not sure it’s such a gigantic improvement. And, I’m a bid fan of Compton and Tru Arc
I did wonder if the bar bridge was an upgrade. It seems to intonate fine even though I can't see any obvious compensation. Perhaps I'm not venturing up the dusty end enough!
TheMarlin said:
I was wondering about pickup heights although it sounds punchy enough where they are. Are you saying the reissue pickups in this go for £250? Blimey. So I got a set of pickups, a Tru-Arc bridge, and a hard case, with a free guitar thrown in!
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