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If you do want to set them differently from how they come, try this -
I set them in a gentle arc, with the Es level with the surface of the bobbins (or covers if fitted), the A and B a half turn higher, and the G and D a turn higher. The only one I find makes any real difference is the G - setting it lower than that can take away any excessive 'clang' which you can sometimes hear with a plain 3rd string.
For me personally, I also set the slots all in a line, at right angles to the strings, because I don't use a pick and if the slots are parallel to the strings I tend to snag my fingernails in them (at least on the neck pickup). And it makes my OCD happy .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Begin either flush or with ICBM's arc suggestion. Adjust the overall height screws until you get the two E strings to your liking. Test for equal apparent volume across the four remaining strings. Tweak their polepiece screws to arrive at a string-to-string balance that you like. Even from flush with the bobbin or cover top, there should be some leeway for downward adjustment.
The JB/Jazz humbucker pair should give the Epiphone plenty of output for overdrive/distortion sounds. I often find that a setting of the JB that suits overdrive may be too forceful for clean sounds. It helps to have a professional quality volume pot to tame it.
CAUTION: If your friend is changing the pickups without upgrading to posh pots, some of the claimed advantages of the expensive pickups may not be evident.