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I got me an EXL1 when Coda were knocking them out 2/3rds price, I can't really fault it. At first the pickup sounded iffy with the roundwounds on and was looking to change it, but swapping to flatwounds after advice on here transformed it. Got them with the top two nickel wound. It sounds way better. Haven't had to do a thing to it though the p/g has to go at some point when I can be arsed. I did age the inlays a little bit and darken the board slightly after this pic, they were a bit bright & spangly but that's it
http://alleykat.co.uk/images/stuff/misc/da.jpg
Obviously I imagine this has nothing to do with the original D'Angelico company
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Would be very surprised.............not that it matters to me
It's a bit of 'sleight of hand' though - or clever marketing. I think the headstock says 'D'Angelico New York', but 'Korea' or 'Indonesia' on the back. The head office is in New York I think, so technically it;s correct, if a bit shifty.
You buy a German dishwasher etc but they dont tell you that 90% of the component parts are made in China, Vietnam , etc etc
Mine's Indonesian, chose it over a Peerless costing 3x the amount, but didn't play a ton of other makes. There are some hand-made US ones still at very fancy prices, the rest are Korean or Indonesian I think.
It's just a name best put aside when trying them out, since John D passed away in the 60s anything afterwards would be pretty tenuous anyway esp factory-made things like these.
Band Stuff: https://navigationofficial.bandcamp.com/album/silhouette-ep
Meh. It was okay. I guess with it not being my usual sort of thing and way out of my normal price range it was fighting against the odds to impress me and it didn't really come across as any better than anything I already own. YMMV, of course.
John D'Angelico was an individual luthier (with some apprentices) hand building guitars out of a tiny shop in NYC. He died in 1964. His name, designs and order book were left to his last apprentice, James D'Aquisto (himself one of the great luthiers of the 20th century).
D'Aquisto might have finished any outstanding D'Angelico orders but then built under his own name, with his own designs, until his death in 1995. By the '80s, someone else had ownership of the D'Angelico name.
There were a small number of high-end, luthier-built replicas commissioned by the brand owner in the '80s and '90s.
In the 2000s Vestax in Japan were producing authorised D'Angelico guitars and introduced new designs such as the NYLSS-3B, which became a classic modern jazz guitar due to its use by Kurt Rosenwinkel for most of that decade. The Vestax instruments are high quality and very desirable by archtop players and collectors. They were never cheap, ranging around £3000 to £4000.
The current company launched in 2011. They are based in New York with a very impressive showroom. Their current lineup is produced in Korea and Indonesia. As well as the original archtop shape and the Vestax-era semi-hollow design, they have introduced solidbody and flattop acoustic designs that have nothing to do with the original D'Angelico.
They have on occasion commissioned luthiers to ghost-build high-end replicas of some original D'Angelico models. Carved woods etc. Luthiers Victor Baker and Gene Baker have at different times been involved with those projects.
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Feedback threat: http://www.thefretboard.co.uk/discussion/148144/
They do seem very committed to making good guitars and actually they were very nice people there and knowledgeable about the guitars.