NBD: White Blonde 1954 Precision bass tribute/reinterpretation

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rze99rze99 Frets: 2285

This was a build by a user on from the UK bass guitar forum www.basschat.co.uk. He built it for himself is not a vendor.

It is based on a 1954 Precision model with the belly carve. It's not a replica as it has updated elements, but I think it really captures a classic look and style.

You typically see early P basses in sunburst and butterscotch blonde, but I think it looks terrific in white blonde.

Warmoth body (I think ash) and Mighty Mite neck with a Jazz-type profile where the nut width is 38mm not 42mm medium thick. 9.5 radius and medium frets I think. Full size open backed tuners, bone nut. Warmoth Bakelite type material scratch plate.

Neck has a vintage stain Tru-oil type finish to a light gloss/satin sheen. Body is a light gloss water based poly finish.

Seymour Duncan debadged single coil quarterpounder with CTS 250 pots, and a 0.047 cap.

High mass through body string bridge that can also top bridge string through.

Weight just over approx 8.25lbs it's perfectly balanced and feels light.

I might get a white guard for it too.. or a tort - or both for a look change once in a while.

Well balanced, light, resonant and has a classic big Precision thump and thunk, but can be delicate with a roll back of tone and volume. I don;t play bass much but really enjoy the odd session adn I record my own bass on tracks typically.

I picked this up a few miles away in person from a guy with loads of basses for £375 which is a total steal I think as it has at least £700 of parts in it! I couldn't imagine a better bass for the money and it is unique..
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Comments

  • JezWyndJezWynd Frets: 6061
    Very nice!
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  • FunkfingersFunkfingers Frets: 14427
    Excellent value for your money. 

    Single ply white ‘guard on white blonde might be too much. Four ply faux tortoiseshell might be more tasteful. 

    I’m not a fan of the Duncan Quarter Pound pickups. My preference would be for a noise-cancelling version of the ‘51 P pickup. Bridgehouse likes his bespoke version of the Oil City Overkill.
    You say, atom bomb. I say, tin of corned beef.
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  • KKJaleKKJale Frets: 982
    Very nice looking. Great price, too. 

    Normally I would be extolling the manifold virtues of Gotoh Resolites but if it balances nicely as is, you’re all set.


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  • ICBMICBM Frets: 72339
    I've always preferred white blonde to butterscotch - but is that actually white blonde? It should show a lot more of the wood grain through it... it looks like plain off-white.

    Whatever it is, it's very nice - and all the better for not being fake aged :).

    Unlike Funkfingers I do like the Quarter-Pounders, but I would still replace it with the Oil City hum-cancelling one. I can't use a bass without hum cancellation live with the amount of fuzz I put on mine ;).

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein

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  • rze99rze99 Frets: 2285

    I like Telecasters and P90 guitars so dealing with him is no big deal, I just use a noise gate. Getting on well with quarter pounder so far. 
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  • rze99rze99 Frets: 2285

    ICBM said:
    I've always preferred white blonde to butterscotch - but is that actually white blonde? It should show a lot more of the wood grain through it... it looks like plain off-white.

    Whatever it is, it's very nice - and all the better for not being fake aged :).

    Unlike Funkfingers I do like the Quarter-Pounders, but I would still replace it with the Oil City hum-cancelling one. I can't use a bass without hum cancellation live with the amount of fuzz I put on mine ;).
    Creamy white.  Or whatever. It’s not trans blonde. Perhaps more like pale Olympic white in some lights. Vintage sort of white. I like it anyhow. 
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  • dcgdcg Frets: 230
    All basses should look as good as this.  Like Leo's first guitar, he had it right with his first bass...and it changed music forever.  Small but important point...
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