If only there was a paint available that was as sturdy and ding-resistant as poly but when dings did happen they looked like they do on nitro finishes.
The reason I'd like a nitro finished body isn't because I like the relic look or would want that kind of dingage to happen as quickly as possible, it's that dings are pretty much inevitable on guitars that actually get played and when they do happen, I'd rather they looked like they do on custom shop relics rather than the "small chunk of plastic missing" look that dings have on poly finishes.
With all the amazing things that have been invented in the world, it doesn't seem like such a difficult task. I'd imagine there just wasn't enough of a market for it to warrant the research investment.
Or maybe it does exist but guitar makers haven't discovered it yet!
Comments
And better again, ding resistant wood!!!
My initial wish just seems so attainable though, if only enough people cared.
i have a cheap tele body of unknown description .It has a very thin burst done in 2K type poly with no primer to speak of underneath.it chips properly and looks good .So it can be done it seems .
There is no such thing as "poly" - coating a guitar in 2mm of glassy polyester is not the same thing as a thin polyurethane finish *at all*. Or even that all types of polyurethane are the same...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I wouldn't mind seeing your pics again if it's not too much trouble. It does ring a bell that I've seen them but can't remember the pics themselves.
If you're saying that a thinner coat of polyurethane would ding more like nitro, any idea why Fender put it on so thick that it doesn't? Is it still the same dilemma of "won't ding as much" vs "will look better when it does ding"?
On the other hand my American Standard Tele with a polyurethane finish had part of the finish pulled off with a strip of masking tape. (According to the useless guitar tech who was working on it.)
It's like a clean chip out where the paint is intact til it gets to that circle then completely goes to just the wood.
I just think it looks less bad if it kind of tapers gradually (only way I can think to describe it) like it does on relicced custom shops.
I wonder if there's anything that can be done to kind of hide this or plaster over it in some way?
There is more than one type of polyurethane and application process, to be fair. It can be thin and quite soft very like nitro, or hard and glassy almost like polyester. Fender do mostly use it thicker.
I think one reason your guitar has chipped like that - which I agree is a bit ugly - is that there's a hard sealer coat under the topcoat. The polyurethane finishes in my pics don't have that.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Just for interests sake, if they'd used a thinner coat of the same paint, would the ding look more like a relic style?