I reckon it was about 14 years or so when I first stumbled across the Nachos Banos 'The Blackguard' book. It is an expensive coffee table book, that looks at the history of Leo's first guitars in incredible detail. Each instrument he examines is broken down into parts, and subject to an astonishing review and comparisons.
I'd always been a Tele fan, and had purchased a Nocaster Heavy Relic CS for my 50th from Wildwood Guitars. I gigged and used this guitar for many years, compensating and adapting my style that wonderfully infamous chunky neck !
Anyway, as the years went on;
forums emerged and a new experience came into my life - GAS. And I sold the Nocaster (or part ex it, I cant remember). At this point I had acquired a wonderful Fender Masterbuilt Jason Smith '63 Heavy Relic Strat. I've never
really been a Strat fan, but this was a special guitar, and has remained with me ever since.
Nonetheless, I have missed owning a Tele for some years now, and it really is where my heart lies...
So, the search began probably about 12 months ago...
In the meantime, prices of guitars (and CS in general) have rocketed. Much to my dismay, CS prices now hit £4k, something which previously would have bought top end guitars of
any make. I just had to suck it up...
Question: How Do You Know What Neck You Like ???
We talk a lot about 60s C, Nocaster U etc etc, but Ive only ever really known through feel. I can't pinpoint a specific neck, and I do believe a guitarist should be able to adapt anyway. Still, a few trips to various shops began to eliminate certain necks, pick up combos, and feel in general. Then, the process of matching 'my spec' to the Fender Teles out there...
I learnt I preferred the following;1.)
Heavy Relics - they can get knocked and dinked with no worries. I always think nitro guitars sounds AND feel better anyway.
2.)
Sanded Neck - must have one of these. I played a couple of lovely CS Masterbuild Designed guitars which were lovely, BUT the necks were too lacquered and slow for me personally.
3.)
Darker Colour Butterscotch/ Darker Neck - again, just something Id always preferred. The neck especially to have that aged tobacco smoke look.
Then, out of the blue Fender decided to release some 70th Anniversary Specials - and all of them to bear the magic 'Broadcaster' name for the first time since 1950-51 !! They aimed to release an American model, CS Team Built and Masterbuilt. The latter came in a £7K (!!!) which was out, but the Custom Shop (CS) looked bang on and even had some (very few) heavy relics. I settled on this one, and it duly arrived.
First thing to note, was that the case
didn't sport the 70th Anniversary Logo. Strange choice by Fender, but hey ho. But the Broadcaster comes with an adapted vintage wiring (with blend)
and a fully modern 3 way writing assembly. Nice touch indeed there.
The guitar smelt gorgeous out of the case, and had the usual COA and build sheet.
So, how do the specs match ???Well, the neck is perfect. Bang on. Sanded, heavy reliced, comfortable as can be. A handful, but not Nocaster big. This CS guitar was based on a genuine 1950 Broadcaster and it shows. The neck is thankfully one piece rift sawn, aged delightfully and is possibly the best Fender neck Ive played. Effortless.
It is a very heavy relic ! The critics will rev and rumble, but looking at the Nacho Blackguard book, Im amazed at how close the relicing gets sometimes to actual vintage guitars.
The acoustic sound is loud, chimey and powerful. Always a good sign in a geetar, imho...
The pick ups are
hand-wound ’50-’51 Blackguard pickups with ’51 modded Nocaster wiring. These appear to be quite powerful.
I really like the vintage wiring with the blend option; the blend mixes the neck and bridge pick ups at the expense of the tone control. I work the pots and pick ups a lot, so may yet revert to the modern 3-way; we shall see...
Initial thoughts are that the bridge is powerful, clear and has great note separation. It is less harsh that most Teles Ive played, and that will suit me down to the ground (hopefully !) as I'll be pairing it with the Matchless Nighthawk... this tends to be a top end heavy amp, with treble output that can be challenging to tame...
Neck pickup is lovely and balanced; not quite as Stratty as some Nocaster pickups Ive played, but def in that vintage Tele double-stop mode.
With the volume rolled back, and the blend adjusted, there are some really sweet (even acoustic) tones that can be coaxed out of the guitar. Spin the volume up and the blend, and the raucous vintage Tele sound emerges
The full test will come this evening, when we have our first band rehearsal since lockdown !!!
More to follow tomorrow
Comments
Teles will inherit the earth.
Note: Ill have to take some better photos, as the colour is actually darker in reality.
Blend wiring - Assuming yours is like a recent 'CS 2018 Ltd Ed Double Esquire' I had in stock - On the neck position with the cap on and the highs rolled off I think they have this option right - Far more subtle than the older version which just goes to deep and dirty - Just rolls off enough highs - No tone pot at all can be an issue if the bridge pick up is to spikey and fizzy, especially with gain, but I found there was enough control on the vol pot, to allow a 'softer' voice
If you change the control layout, one option is just to re-wire accordingly - I'd be more tempted to get a new 'pre-wired' loom from the likes of @sixstringsupplies - That way keep a preserved original version to put back at a later date, especially if you decide to sell
I hope you enjoy your new blackguard, I have Nachos book too, it's superb
Congrats on what looks like a fantastic guitar. I’m so pleased you got there in the end.
Dibs, when the inevitable comes around...