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My favourite use for it was to take a DI feed from the beginning of the bassist's chain in a four piece (one guitar). The dry through would go to their board, and the doubled signal would come over into my Helix, run through an octave-up block and 5150 amp model and cab and out into my power amp along with my chain. The trick was that this extra fake-guitar signal would only be activated when I switched to my solo snapshot, thus providing a pseudo-rhythm-guitar under the solos and preventing the "dropout" effect.
For recording, I confess that I did sometimes cheat and use a Mimiq to double-track at the same time, but again...I'd use two entirely different effect/amp/cab chains for extra distinctiveness between the signals.
It's past tense because that band now has two guitarists, and thus the solution is no longer necessary. Also, I don't have the Helix any more
Replacing the Helix with another guitarist, sure seems like a cheaper option ;-)