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I got a few new guitars over the summer. Didn't post as too busy at work and then MR went west. Will post them up over the next few nights.
Been wanting a P90'd ES-175 for a while but the 1950's ones that were coming up were all in the USA and too expensive and a lot had neck breaks or bad body cracks. Then this popped up. Still in the USA but for a good price and undamaged.
It's a 1961 ES-125 but the full body version which supposedly Gibson stopped producing in 1958. However, a few were put out in '61 ... of the course the rumour is that they were unfinished '58's. Neck profile on this is definitely early '60's though the red in the burst has faded a lot (look at where the pick guard would have been) which apparently they'd cured by 1960. Most importantly, it's a dream guitar. It plays beautifully, has a great neck profile (somewhere between a 59 and 60). Makes all the sounds you'd expect and the original P90's are superb.
With the other hollow bodies I have. (1960 ES-330, 1967 ES-175)
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In fact all three are beautiful.
You have a sofa-filled with beauty.
Lovely
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Seriously: If you value it, take/fetch it yourself
I got to play one fairly regularly when I had my shop ... and they suit my own Brit-R&B style down to the ground. As you say fabulously deep, powerful bottom end ... but with a top end that can be quite rude and aggressive if you push it to be. A brilliant all rounder and a fab score.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
You sir, have taste!
What a lovely collection, such tasteful GAS.
Funny isn't it, jazz boxes rarely trigger negative opinion, esp. classic Gibsons.
Lovely, lovely guitars. And I bet there is a whole wealth of gorgeous tones to be had from them.
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“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay