Howdy, Stranger!

It looks like you're new here. If you want to get involved, click one of these buttons!

Sign In with Google

Become a Subscriber!

Subscribe to our Patreon, and get image uploads with no ads on the site!

Read more...

Favoured Reverb Type for Guitar

What's Hot
2»

Comments

  • skunkwerxskunkwerx Frets: 6881
    I have a Strymon Bluesky in the loop. Tbh I’m a bit whelmed by it. 

    The shimmer mode seems quite one dimensional. Very much a one trick pony. 

    The reverb itself, on hall mode, great, can do crazy self oscillations or be quite subtle. 
    Switch to plate or spring though, the mix is up full which is unity, any further and it cuts the dry guitar signal a bit too much, and I prefer a noticeable reverb but not at the sake of guitar volume itself. 

    Its fine on unity at long delays/decay, but turning the knob to make the reverb shorter, like a slappy sound, kind of makes the effect really really subtle, too subtle for me. 
    Sure its there but its too subtle in a way even with the mix up at unity/max before the dry guitar starts to get lowered.  

    I dont think its much different in the front of the amp as opposed to the loop, but I havent experimented really as loop is where its needed as I use amp distortion with it as well as cleans. 
    The only easy day, was yesterday...
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • thegummythegummy Frets: 4389
    Sprrrriiing for me

    although I do like a modulated hall also

    a sprinkle of shimmer in small doses occasionally 
    I find shimmer to be one of those things where the first time I try it and play a chord through it I'm like "holy shit that is amazing!" but then after a couple of times of actually trying to use it I find it's a bit like copy and pasting a very specific sound in to the song if you know what I mean.

    Like, it kind of takes an input and outputs its own synthy sound that's pretty much identical each time but in the pitch of the input notes.

    Having said that, I might need to look more in to the "sprinkle" idea and see if it does anything for me in very small doses.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • NorthernStompsNorthernStomps Frets: 398
    tFB Trader
    thegummy said:
    Sprrrriiing for me

    although I do like a modulated hall also

    a sprinkle of shimmer in small doses occasionally 
    I find shimmer to be one of those things where the first time I try it and play a chord through it I'm like "holy shit that is amazing!" but then after a couple of times of actually trying to use it I find it's a bit like copy and pasting a very specific sound in to the song if you know what I mean.

    Like, it kind of takes an input and outputs its own synthy sound that's pretty much identical each time but in the pitch of the input notes.

    Having said that, I might need to look more in to the "sprinkle" idea and see if it does anything for me in very small doses.
    I know what you mean. I think it’s easy to crank the effect all the way up and get that huge choral sound for a couple of chords, think “wow” and then immediately wonder how you’re gonna use it. 

    Its certainly not a set and forget like say a room or perhaps a spring can be. 

     

    Facebook: @northernstomps // Instagram: @northernstomps // Twitter: @northernstomps

    Specialist Retailer Of Handmade British Stompboxes // https://www.northernstomps.com/

    Currently Stocking: Hudson Electronic/Raygun FX/Zander Circuitry/ThorpyFX/Rainger FX/Life is Unfair/ Magnetic Effects/Fredric Effects

    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • Modulated here. I live for the wonk. 
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • JeremiahJeremiah Frets: 631
    Spring for surf rock, hall or room for everything else
    0reaction image LOL 0reaction image Wow! 1reaction image Wisdom
  • jdgmjdgm Frets: 852
    Sassafras said:
    Spring, and just enough to liven up the sound. Not too keen on reverb drenched ambient stuff.
    HCDavies said:
    Spring for me every time. That's the sound I want, that's the sound I grew up listening to.

    Yes....yes!
    0reaction image LOL 0reaction image Wow! 1reaction image Wisdom
  • thegummythegummy Frets: 4389
    Modulated here. I live for the wonk. 
    You would love the ladies of the night in Fife.
    1reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • VoxmanVoxman Frets: 4724
    Room, spring, hall and plate tend to be the main ones. Depends on the tone and feel I'm after.  
    I started out with nothing..... but I've still got most of it left (Seasick Steve)
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • Plate ala VH.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • PabcranePabcrane Frets: 489
    Spring! Preferably from actual springs.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • thefezthefez Frets: 131
    Pabcrane said:
    Spring! Preferably from actual springs.

    Seconded. 
    Though a nice hall reverb is good too
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • TTBZTTBZ Frets: 2897
    I used to be a bit of subtle spring reverb only, but now I want something in pedal form that sounds like the reverb pedal in Neural Plini. Not sure what it's based on but it sounds great as a special effect/pad type of thing to give some dimension and depth to leads. Lead-wise now I'm bored of the "widdly solo section after the 2nd chorus" sort of thing - instead I'm playing more of an accompanying melody layer. A nice reverb with some movement really helps with this.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • samzadgansamzadgan Frets: 1471
    Modulated for me
    0reaction image LOL 0reaction image Wow! 1reaction image Wisdom
  • Spring or plate mainly...maybe a bit of room/hall reverb when I want a change.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
Sign In or Register to comment.