It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Football is rubbish.
I don't recall ever seeing it written the 2nd way.
What has always puzzled me about the open Am - or the open A come to that, is why the bottom E string is always shown muted.
PS. We Australians do cricket scores the proper way round, and don't you forget it!
Also, I have seen chord charts, and no doubt there are vids, that teach the "easy" way to play first position chords which have the B major played with an F sharp bass - to avoid barring at the second fret.
Me! Especially with an A chord. The second inversion is unstable and generally sounds pretty bad. I'd only ever use it usually if I was playing a chord sequence over a pedal note and otherwise would take a lot of care to avoid it unless it was very much in passing.
22444x (B, 2nd inv)
476454 (E, 1st inv)
56444x (B7, 3rd inv)
77999x (E, 2nd inv)
9 12 11 9 10 9 (A, 1st inv)
11 14 13 11 12 11 (B, 1st inv)
12 14 14 13 12 12 (E, root)
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
I've always been confused about why a C/G chord (332010) sounds sweet to my ears but a C/E chord (032010) doesn't. Sounds like the former is a second inversion and the latter is a first inversion. Are second inversions inherently more stable?
However I do always mute the E string when I play an open A because that doesn't sound so good. So why does C/G sound better than A/E?