It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Contrast / dynamics .... if you play full on all the time as a band there's no where to go dynamically. Don't be afraid to ease right back as a band, drop out so it's just drum and bass, build it back up with the single guitar coming back in. Dynamics is an under used weapon by most pub bands.
Chord implying ..... you can fake the existence of a chord with 2 notes and then your bass player will be playing one of them. When solo'ing use open strings, harmonics etc to imply chords while you solo. For example if the bass player plays an E then an open G or G harmonic will imply an E minor chord. You don't need to hold this while you solo, the trick is to build the chord implying into the solo. Other tricks like drone strings, double stops, octaves, low root and high third also work well.
Roland SPD .... this is my favourite weapon and I've done hundreds of gigs with one. Everyone thinks it's a drummers tool but with 6 easily available pads for a guitarist to step on it's perfect for adding stealth keys. The trick is, like anything, don't over use it. Here's somethings I used it for.
Hard to handle - Just one pad used, organ chord of B while I solo'ed over it.
Where the streets have no name - 4 pads. the 4 basic chords which I just hit with the foot while playing the riffs
This is how we do it - Montell Jordon - just 2 pads, 2 basic chords of the song.
Never too much - Luther - 4 pads with the basic 4 chords.
Price Tag - Jessie J .... 4 pads, 4 chords
Whisky in the jar - 4 pads and 4 chords but using G and B notes to function as G Maj and Em to to make 5 chords form 4 pads
Purple Rain - 4 pads for the 4 chords under the solo.
Superstition - 4 Pads - brass bits on chorus, bit of foot work to be honest but really effective
Human - Rag n Bone - 4 pads with 4 basic soft atmospheric pads to under pin the song
Use Somebody - KOL - just one pad with a basic halo of a chord that goes all the way through and 3 pads for the bridge
There's tons more but you get the idea. Nothing was time based, I just recorded the sound of me playing what I wanted on my Korg keyboard and recorded it into the SPD. The trick is to make sure you record enough length of a chord or drone long enough so it won't cut out even if the drummer plays a bit slower than normal. Then set all the pads to the same mute group so hitting one kills the previous. Then have one of the pads, mine was 6 set with nothing in it so it effectively worked as a "Kill all" safety switch if you fuck up.
Overdrive on bass guitar .... if you have a little overdrive on the bass during the solo, you won't get that bottom fell out of the song when you move from chords to solo'ing but it only works on driving bass lines really and best done with 2 bass amps or a split cab.
Creative FOH ... a pub band luxury I know because most pub band guitarists would rather drop 2K on a guitar than pay an engineer £50 to mix a gig for a year but if you do get a decent engineer then there's a lot of things that can be done from creative delays to intelligent harmony to triggering keys parts and all sorts.
Feedback
Ebay mark7777_1
It's an older SPD, not the SX. Interestingly the older one takes removable CF cards in the side, the newer one according to Roland has integral non upgradable storage but having repaired a few I can tell you the SX has a micro SD card in a holder on the PCB, so as prone the same problems but totally inaccessible to the user.
You would never do this live, this is just me pissing about as proof of concept. The stuff I did live was much simpler on the SPD
Ebay mark7777_1
Try it now, should work now
We've relaunched under a new name, so we're starting from scratch with the online profile, videos etc. But here's a quick montage of bits from a recent gig to show how we're tackling things. We're not using any samples or loops, but my secret weapons are an EHX Mel9 (for some faux strings) and a Boss SY-1, which I use for sustained organ chords, synth pads etc. This has opened up a whole bunch of organ-heavy songs that would probably have dropped off the setlist otherwise.
https://www.youtube.com/watch?v=6BQxLcEh-DE
Trading feedback here