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tomatos tomatos
just because you do, doesn't mean you should.
......................... Im not overly worried
just because you do, doesn't mean you should.
Neck relief - easy and reversible, just need an Allen key and string height measure ruler and suss out which way to turn. Bridge saddle - again easy. Measure with string height ruler, draw line on bottom of bridge saddle and sand down with sandpaper and sanding block. Or table! Take it down slowly in increments as you learn but, if you mess up, get another saddle and start again. An opportunity to change saddle too to e.g. bone. Nut - a bit more dodgy because nuts, though not impossible for the mere enthusiast, are more difficult to swap in and out. You'll definitely need proper files and, in my experience, these aren't always on Amazon and have to be sourced from a more specialist guitar stockist. Do it very very slowly, I just do 5 filing actions per slot at a time and then restring and test play and then +/- repeat. Some experience essential. (But you'll only get that by having a go!)
Fretwork will require a luthier if you're just a keen player IMO. Other bigger things, like a twisted neck or a bowed up top are very rare but are major luthier jobs. And expensive.
A lot of action adjustment is just knowledge of how a guitar works and what actually constitutes the components of action. Especially really getting an understanding of neck relief. Getting it all eventually right is very satisfying.
Top tips - sight down a fretboard from the head end to look at general action and neck relief. Put the guitar on a stand and then stand above it and look down the fretboard from this compressed perspective. You can actually see things like neck relief, straightness and overall string height. Make changes slowly and step by step.
For another reason, it gives me an excuse to take the guitar into Paul, who will very likely do a better job than I can, who has a vast wealth of experience and is happy to pass bits of it on, and who charges very little for it. It also reminds him that I exist and I'm now up to #3 on his waiting list for a new guitar, and that it's nearly time to start looking around for the woods. (I was #5 when I put my deposit down. Slowly, slowly he will get around to my build.)
https://www.thomann.de/gb/harley_benton_cg_45e_natural.htm
It's remarkable what you can get for a minimum outlay these days. Body bound back and front, bound neck, and under-saddle pickup and preamp for £66. Who cares if it is laminated mahogany rather than solid woods, or if the fretboard is "roseacer" (heat-treated very hard maple) rather than pitted sub-standard rosewood, or if the rosette is a sticker, it's what it sounds like and feels like that counts the most. I do happen to think it's a really nice looking wee guitar.
Yes, it isn't difficult but, with respect, you could still mess it up, involving more money than a setup done by a good tech.
If you want to have a go, there's plenty of beat up examples in s/h shops to have a go at, get your confidence going and *then* (if you want) try to do a setup on a guitar you care about
just because you do, doesn't mean you should.
That was about the price of the cheapest imported K guitars in 1980-1982
To add perspective, I had a one week summer job on £1 an hour in 1983
just because you do, doesn't mean you should.