Awaiting this with curiosity. Expecting to like it, because they're great songs however you present them, but TOoM is so much the Lanois show that it's hard to imagine it with all the pixie dust blown off the recordings.
'In his liner notes for the set, Steven Hyden writes, “The album itself
has been remixed to sound more like how the songs came across when the
musicians originally played them in the room, without the effects and
processing that Lanois applied later. It’s not meant to replace the Time Out of Mind
that won all of those Grammys a quarter-century ago; it’s a
reimagining, an alternate view of a great work of art. If the original
album remains mythic and enigmatic, this Time Out of Mind puts you in close proximity to the players."'
Comments
I was listening to this earlier, and I like the unpolished Dylan.
Looking forward to the idiotwind said: That also sounds really nice - something to look forward to.
Many would point to Blood on the Tracks NY versions, but I generally prefer the album versions. You're a Big Girl Now would be the closest to getting swapped for me. The version on Biograph with the pedal steel.
Some of the mid-sixties stuff has early versions that would have been perfectly good, but the album take just has that bit extra. I'm thinking things like She Belongs To Me, Baby Blue or even Visions of Johanna. My first ever bootleg was The Lonesome Sparrow Sings so I'm quite fond of a lot of that material.
As for actual replacements, I think I've got two. Someday Baby is better on Tell Tale Signs, but is a fairly dull song any way you slice it. The other is The Times They Are A-Changin'. There is an earlier version that came out on a deluxe version of Love and Theft which I prefer. Less strident than the album version. I'm sure some would say less anthemic, but it one of my least favourite "greatest hits". I couldn't find it anywhere on YouTube so I uploaded it myself, but it got blocked. So I stuck it on Vimeo