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Otherwise use parallel distortion on the vocal track (that gives the Strokes-type of cheaply-recorded overloading mic effect).
Haven't listened to any Ministry or Revolting Cocks etc for ages, but I recall Jourgensen also uses bitcrushing and very fast phasing / flanging on vocals too to give it a watery effect.
https://tapeop.com/interviews/86/sanford-parker-Doom-Maker/
Soundcloud link has now disappeared, and
which has some vocal examples about 20mins in. Just hearing the isolated ‘vocal’ gives you a clue …