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View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Drape a duvet over each stand, as if putting wet duvets out to dry. If you have a third duvet, drape it over the V shape to make a roof above the mic, ideally as far as half way between your mouth and the mic (to help minimise reflection off the ceiling).
That will absorb some but not all of the higher and mid frequencies that will bounce off your room's hard surfaces. It is not ideal but will give you a discernable, temporary improvement over a completely untreated room.
The ideal next step, in the future, is to make some acoustic traps to use. These will be at least 20cm thick and cover between 20 and 50% of the surface area of your room's 6 surfaces (4 walls, floor and ceiling). As you cannot realistically cover a floor with acoustic traps, prepare to have the floor's share also overhead.
Last tip, check that neither the mic nor your mouth are positioned at exactly half the height of the room otherwise and problem frequencies will be double-trouble for you.
Edit: cm not mm
These are excellent, pop on straight mic stand and away you go.
It isn't hugely expensive to do an OK treatment of your room.
Also, stick to dynamic mics as much as possible- it won't fix the problem but it can mitigate some of the issues.
Yes. This.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Re the "dynamic mics pick up less of the room than condenser mics" thing, it's more the case that mics with a tight polar pattern that are designed to be worked up close pick up less of the room than conventional studio mics. That does cover many dynamic mics but there are also condenser mics you can work up close eg. the Earthworks ETHOS.