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I liked the dreadnought a lot: it was a fairly cheap model as Furch guitars go, a Blue, in cedar and khaya (aka "African Mahogany") and I'd have been happy to take that one home. (I'm a cedar tragic.) Two of the OMs (or GAs) made little impression on me. They were good instruments in Sitka Spruce and Indian Rosewood, very playable and a good sound but not memorable. Neither one, in my view, was an upgrade on my Maton Messiah (which I had there with me and was looking to replace). The $4000 Furch (a Yellow) was obviously in the same class as the Messiah; on balance I thought the Maton was marginally the better of the two but both great. In short, three very good instruments, each one reasonably priced considering what it was.
The final one, another Grand Auditorium, was a Furch Red Deluxe in spruce and rosewood, pretty much the top of their range and a superb instrument in every respect. All things considered, I rate it a better instrument than even the Messiah (admittedly at more than 50% higher cost). I could not fault it: as delightful an instrument as it has been my pleasure to play.
Of course, I then bought it. Buggered if I know how I'm going to deal with the credit card bill next month, but that's a problem for another day.
Like all good guitar makers, Furch has a "house sound". The similarities between the ones I played (in all different woods and price brackets and body shapes) were obvious. It is a distinctive crisp sound with a prominent high end. I guess I'd call it a "sizzle". Contrast with Taylor (an even more prominent high end but clean and sweet - over-sweet and over-prominent to my ear but YMMV), with Maton (balanced with glassy highs), with Guild (similar to Maton) or with Martin (rather muted high-end, big, muddy bass).
Although my brother owns a Larivee, I have never played one. (I must go and visit soon - hell, he bought it on my recommendation and I haven't even seen it yet!) I have played guitars from most of the other big name makers and I reckon Furch is more than worthy of being numbered among them.
Put me down as a fan. (And I say that as a long-time Maton, Guild, and Martin lover.)
PS: I've had the Furch Red here at home for over a week now and it's every bit as good as I thought it was in the shop. I wouldn't say it's the best guitar I own - I have a custom Maton, a top-of-range Huon Pine Cole Clark, and a lovely local luthier-made concert-size guitar, all excellent in their own very different ways - but the Furch Red well and truly holds its own amongst them. It's as good as any.
But as soon as I picked it up, it felt lovely. I would have called it a medium-deep C - but then what I know about neck profiles you could scribble on a matchbox in texta.
Anyway, these days Furch has two standard neck profiles for (I think) every model they make. A C and that "soft V". You can order them either way. I'm guessing that, short of ordering the one you want and waiting, the choice of neck profile is up to the retailer or the importer.
Actually decided to keep my L-05 as it's low end chunk is GLORIOUS (and my P-05 12 fret is heaven). Just need to decide whether to keep the OM05 now lol. Flip flop!
I find the whole red/yellow/blue thing a bit confusing. Maybe I never learned my colours lol.
My YouTube Channel
My YouTube Channel
Violet
Blue
Green
Yellow
Orange
Red
Rainbow
But not all body sizes are available in all the ranges.
On top of that there’s also the option to specify your own preferred woods, body shape and binding etc..
My YouTube Channel
That was my feeling too when I got to try several Furches next to each other (I think they maybe were all Blue models IIRC)- one or two were great, another couple were perfectly good instruments but not quite as good- your description of "not memorable" is about right. It may well have been nothing more complicated than having been in the store a bit longer and more in need of a setup, though.
(I'm terrible with neck shape descriptions too fwiw!)
just because you do, doesn't mean you should.